Six Centuries of English Poetry: Tennyson to ChaucerBaldwin, James
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Six Centuries of English Poetry: Tennyson to Chaucer
Baldwin, James
English poetry
In all that rowme was nothing to be seene
But huge great yron chests, and coffers strong,
All bard with double bends, that none could weene
Them to efforce by violence or wrong:
On every side they placed were along;
But all the grownd with sculs was scattered,
And dead mens bones, which round about were flong;
Whose lives, it seemed, whilome{34} there were shed,
And their vile carcases now left unburied.
NOTES.
This is a selection from Spenser's great poem, "The Faerie Queene,"
being a part of the seventh canto of book second. "The Faerie Queene"
was published in 1590, and comprises six books of twelve cantos each.
The first book is the Legend of the Red Cross Knight, or Holiness; the
second, of Sir Guyon, or Temperance; the third, of Britomartis, or
Chastity; the fourth, of Cambel and Triamond, or Friendship; the fifth,
of Artegall, or Justice; the sixth, of Sir Calidore, or Courtesy. It was
Spenser's design that the complete work should contain twelve books, but
of the remaining part only a fragment of one book, the "Legend of
Constance," is in existence.
The versification of the "Faerie Queene" is based upon the _ottava
rima_, made so popular in Italian poetry by Tasso and Ariosto. Instead
of eight lines to a stanza, however, there are nine. The first eight
lines are iambic pentameters, and the ninth a hexameter, the stanza thus
closing with a lingering cadence which adds greatly to the melody of the
verse. This is the "Spenserian stanza," a form of versification very
popular with many of our later poets.
"If you love poetry well enough to enjoy it for its own sake," says
Leigh Hunt, "let no evil reports of his _allegory_ deter you from an
acquaintance with Spenser, for great will be your loss. His allegory
itself is but one part allegory and nine parts beauty and enjoyment;
sometimes an excess of flesh and blood. His wholesale poetical belief,
mixing up all creeds and mythologies, but with less violence, resembles
that of Dante and Boccaccio. His versification is almost perpetual
honey."
1. =delve.= Dell. From A.-S. _delfan_, delve, to dig. Each canto of the
"Faerie Queene" is introduced by a four-line doggerel like this,
containing the argument, or a brief summary of the narrative,--in
imitation, probably, of Ariosto's "Orlando Furioso."
2. =hore.= Sordid, miserly. Probably from A.-S. _harian_, to become mouldy
or musty. The word _hoard_ may be traced to a similar root.
3. =stedfast starre.= The pole-star. See "Faerie Queene," I, ii, 1:
"By this the northerne wagoner had set
His sevenfold teme behind the stedfast starre
That was in ocean waves yet never wet,
But firme is fixt, and sendeth light from farre
To all that in the wide deepe wandring arre."
4. =yblent.= Blinded.
5. =dreriment.= Darkness.
6. =firmes.= Fixes, makes firm.
7. =yode.= Went. The past participle of the old verb _yede_, from A.-S.
_gangead_, to go, to proceed.
Public-domain text, read in full here on John Shaqi.
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