Six Centuries of English Poetry: Tennyson to ChaucerBaldwin, James
General
Six Centuries of English Poetry: Tennyson to Chaucer
Baldwin, James
English poetry
5. =Castamergia.= Gluttony. Greek _kastrimargia_. A not uncommon word
among the monks of the Middle Ages, one of whose prayers was, "From the
spirit of castrimargia, O Lord, deliver us!"
6. =ipocras.= Hippocras, or spiced wine, a drink formerly very popular in
England. It was made by mixing Canary and Lisbon wines, in equal parts,
with various kinds of sweet spices, and allowing the whole to stand for
a few days, after which the wine was poured off and sweetened with
sugar.
7. =postel.= Apostle--here ironically applied to Wolsey.
BIOGRAPHICAL NOTE.
JOHN SKELTON was born about the year 1460. In his earlier life he was
the friend of Caxton, the first English printer, and of Percy, Earl of
Northumberland. He was poet-laureate under Henry VII., and tutor of the
young prince (afterwards Henry VIII.), and was described by Erasmus as
_litterarum Anglicarum lumen et decus_. Later in life he was promoted to
the rectory of Diss in Norfolk, but was severely censured by his bishop
for his buffooneries in the pulpit and his satirical ballads against the
mendicants. He finally became a hanger-on about the court of Henry
VIII.; and, daring to write a rhyming libel on Cardinal Wolsey, was
driven to take refuge in the sanctuary of Westminster Abbey. There he
was kindly entertained and protected by Abbot Islip until his death in
1529. Some of his poems were printed in 1512, and others in 1568.
Taine calls Skelton "a virulent pamphleteer, who jumbles together
French, English, Latin phrases, with slang and fashionable words,
invented words, intermingled with short rhymes. Style, metre, rhyme,
language, art of every kind, at an end; beneath the vain parade of
official style there is only a heap of rubbish. Yet, as he says,
'Though my rhyme be ragged,
Tatter'd and jagged,
Rudely rain-beaten,
Rusty, moth-eaten,
Yf ye take welle therewithe,
It hath in it some pithe.'"
As to the coarseness which characterizes his verses, it cannot be
explained by saying that it is a reflection of the manners of the times
in which he lived. For, as Warton says, Skelton "would have been a
writer without decorum at any period." Yet, notwithstanding his faults,
he is deserving of our notice, if for nothing else, on account of the
complete originality of his style--a style unknown and unattempted by
any former writer. His bold departure from the accepted rules of
versification showed to those who followed him some of the possibilities
in English poetical composition, and helped to open the way to the great
outburst of song which followed.
Selections from Four Minor Poets.
A VISIT TO LONDON.
BY JOHN LYDGATE.
Then unto London I dyd me hye,
Of all the land it beareth the pryse:
"Hot pescodes," one began to crye,
"Strabery rype, and cherryes in the ryse";
One bade me come nere and by some spyce,
Peper and safforne they gan me bede,
But for lack of mony I myght not spede.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account