Six Centuries of English Poetry: Tennyson to ChaucerBaldwin, James
General
Six Centuries of English Poetry: Tennyson to Chaucer
Baldwin, James
English poetry
This, one of the most exquisite poems in the language, was written by
Cowper in "the last glimmering of the evening light," before his mind
was wholly overwhelmed by the final attack of insanity. "Every line is
instinct with a profound and chastened feeling, to which it would be
difficult to find a parallel. There is not a phrase, not a word, which
jars upon the most susceptible ear, not a tinge of exaggeration, not a
touch that is excessive. The fact that he who gave forth these supreme
utterances of filial love was old himself when he did it, brings into
the relationship a strange, tender equality which is marvellously
touching."
1. =steep.= Imbue. From Ger. _stippen_. From the same root as _dip_, with
the letter _s_ prefixed.
2. =Elysian reverie.= Heavenly meditation. See note on Elysium, page 79.
3. =when I learnt.= Cowper was only six years old when his mother died.
4. =concern.= Distress, anxiety.
5. Nearly fifty years after his mother's death, Cowper wrote: "I can
truly say that not a week passes (perhaps I might with equal veracity
say a day) in which I do not think of her; such was the impression her
tenderness made upon me, though the opportunity she had for showing it
was so short."
6. =plum.= Perhaps the gravest fault in this poem is the frequent
intermixture, as in these two lines, of trivial thoughts and
circumstances with those of a more noble character.
7. Explain the metaphor which the poet attempts to carry through these
three lines. =Brakes= = _breaks_, interruptions. What is the meaning of
_humor_?
8. =as a gallant bark.= Observe the beauty of the simile in these twelve
lines, also of the simile which follows.
9. Probably misquoted from "The Dispensary," by Samuel Garth
(1670-1719):
"To die is landing on some silent shore,
Where billows never break nor tempests roar."
10. =this mimic show.= Explain the meaning of this expression.
EPITAPH ON A HARE.
Here lies, whom hound did ne'er pursue,
Nor swifter greyhound follow,
Whose foot ne'er tainted morning dew,
Nor ear heard huntsman's halloo;
Old Tiney, surliest of his kind,
Who, nursed with tender care,
And to domestic bounds confined,
Was still a wild Jack hare.
Though duly from my hand he took
His pittance every night,
He did it with a jealous look,
And, when he could, would bite.
His diet was of wheaten bread,
And milk, and oats, and straw;
Thistles, or lettuces instead,
With sand to scour his maw.
On twigs of hawthorn he regaled,
On pippins' russet peel,
And, when his juicy salads failed,
Sliced carrot pleased him well.
A Turkey carpet was his lawn,
Whereon he loved to bound,
To skip and gambol like a fawn,
And swing his rump around.
His frisking was at evening hours,
For then he lost his fear,
But most before approaching showers,
Or when a storm drew near.
Public-domain text, read in full here on John Shaqi.
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