Six Centuries of English Poetry: Tennyson to ChaucerBaldwin, James
General
Six Centuries of English Poetry: Tennyson to Chaucer
Baldwin, James
English poetry
5. =the Thracian raised his strain.= Orpheus was a Thracian, the son of
Oeagrus and the Muse Calliope. Apollo gave him a lyre, and the Muses
instructed him in its use; and so sweet was the music which he drew from
it that the wild beasts were enchanted and the trees and rocks moved
from their places to follow the sound. When Jason and his followers, the
Argonauts, were unable to launch their ship Argo, Orpheus played his
lyre, and the vessel glided into the sea, while her "kindred trees
descended" from the slopes of the mountain (Pelion) and followed her
into "the main."
6. =demi-gods.= Half-gods; heroes. Among the Argonauts were Hercules,
Castor and Pollux, Theseus, Peleus, Nestor, and others similarly
renowned.
7. =infernal bounds.= Boundaries of hell. The wife of Orpheus was a nymph
named Eurydice. She having died from the bite of a serpent, the sweet
musician followed her into the infernal regions. He begged of Pluto that
his wife might return with him to the earth, but his prayer was granted
only upon condition that he should not look back upon her until both had
safely passed the gates between Hades and the upper world. The poet
tells the rest of the story.
=Phlegethon.= A river of hell in which flowed fire instead of water.
8. See Song of Solomon viii. 6: "Love is strong as death."
9. =shady forms.= Departed spirits were called "shades," because they were
supposed to be perceptible sometimes to the sight but never to the
touch. See "heroes' armed shades," below.
10. =Sisyphus.= See note 18, page 147.
=Ixion.= King of the Lapithæ. As a punishment for ingratitude to Zeus, his
hands and feet were chained to a wheel which was always in motion.
=Furies.= See note 20, page 167.
11. =hell.= The powers of hell--or, as he explains below, Proserpine, the
queen of the infernal regions. =Styx.= The principal river of hell, around
which it flows seven--not nine--times.
12. See Milton's "L'Allegro," 135:
"Lap me in soft Lydian airs,
Married to immortal verse, . . .
That Orpheus' self may heave his head
From golden slumber on a bed
Of heaped Elysian flowers, and hear
Such strains as would have won the ear
Of Pluto to have quite set free
His half-regain'd Eurydice."
13. Orpheus's grief for the loss of Eurydice caused him to treat with
contempt the Thracian women among whom he dwelt, and they in revenge
tore him to pieces, under the excitement of their Bacchanalian orgies.
His head was given by the Hebrus to the sea, and finally carried to the
island of Lesbos, where it was buried. See Milton's "Lycidas," 58:
"What could the Muse herself that Orpheus bore,
The Muse herself for her enchanting son,
Whom universal nature did lament,
When by the rout that made the hideous roar,
His gory visage down the stream was sent,
Down the swift Hebrus to the Lesbian shore?"
See, also, "Paradise Lost," VII, 32:
Public-domain text, read in full here on John Shaqi.
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