which a river runs; in the Louvre. The horseman and beggar on a bridge are by Wouvermans: here the grey-greenish harmony of the tone is in fine accordance with the poetic grandeur of the subject. A hill covered with oak woods, with a peasant hastening to a hut to escape the gathering shower, is in the Munich Gallery. The golden warmth of the trees and ground, and the contrast between the deep clear chiaroscuro and soft rain-clouds, and the bright gleam of sunshine, render this picture one of the finest by this master. The peculiar charm which is seen in Holland by the combination of lofty trees and calm water is fully represented in the following works:--_The Chase_; in the Dresden Gallery. Here in the still water in the foreground--through which a stag-hunt (by Adrian van de Velde) is passing--clouds, warm with morning sunlight, appear reflected. In this picture, remarkable as it is for size, being 3 ft. 10-1/2 in. high, by 5 ft. 2 in. wide, the sense even of the fresh morning is not without a tinge of gentle melancholy. A noble wood of oaks, beeches and elms, about the size of the last-mentioned picture, is in the Louvre. In the centre, through an opening in the woods, are seen distant hills. The cattle and figures upon a flooded road are by Berchem. In power, warmth, and treatment, this is also nearly allied to the preceding work. Of his waterfalls, the most remarkable are--A picture at the Hague, which is particularly striking for its warm lighting, and careful execution. Another with Bentheim Castle, so often repeated by Ruisdael, is at Amsterdam. In the same collection is a landscape, with rocks, woods, and a larger waterfall. This has a grandly poetic character which, with the broad and solid handling, plainly shows the influence of Everdingen. The same remark may be applied to the waterfall, No. 328, in the Munich Gallery. Here the dark, rainy sky, enhances the sublime impression made by the foaming torrent that rushes down the rocky masses. Another work worthy to rank with the fore-going is _The Jewish Cemetry_, in the Dresden Gallery: a pallid sunbeam lights up some of the tombstones, between which a torrent impetuously flows. The _Landscape with Waterfall_ at Hertford House is a good example; the _Landscape with a Farm_ in the same collection is another, though in this the figures and cattle are by Adrian Van der Velde. Ostade and Wouverman are also said to have helped him with his figures, and it is possible that one or other of them ought to have some of the credit for the beautiful _View on the Shore at Scheveningen_ in the National Gallery (No. 1390). The _Landscape with Ruins_ (No. 746) is perhaps the finest of the others there.