Although the study of the human form had long been cultivated and
encouraged in Italy and France by national schools or academies, yet in
England until the eighteenth century such seminaries were unknown; and
it is therefore difficult to trace the origin or ascertain the precise
period when those nurseries of art were first attempted in this country,
especially as every establishment of that kind was, at first, of a
private and temporary nature, depending chiefly upon the protection of
some artist of rank and reputation in his day. The first attempt towards
the establishment of an academy is mentioned by Walpole as having been
formed by several artists under Sir Godfrey Kneller in 1711. Afterwards
we find, by other accounts in the same author, which are corroborated by
authentic information, that Sir James Thornhill formed an academy in his
own house, in the Piazza, Covent Garden. But this was not of long
duration, for it commenced in 1724 and died in 1734; which reduced the
artists again to seek some new seminary; for the public of that day were
so little acquainted with the use of such schools, that they were even
suspected of being held for immoral purposes.
After the death of Thornhill a few of the artists (chiefly foreigners),
finding themselves without the necessary example of the living model,
formed a small society and established their regular meetings of study
in a convenient apartment in Greyhound Court, Arundel Street. The
principal conductor of this school was Michael Moser, who when the Royal
Academy was established was appointed keeper. Here they were visited by
artists such as Hogarth, Wills, and Ellis, who were so well pleased with
the propriety of their conduct, and so thoroughly convinced of the
utility of the institution, that a general union took place, and the
members thereby becoming numerous, they required and sought for a more
convenient situation and accommodation for their school. By the year
1739 they were settled in Peter's Court, St Martin's Lane, where the
study of the human figure was carried on till 1767, when they removed to
Pall Mall.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account