Now suddenly there rose up into her heart a swift hope that after all he
was not entirely without principle, that he had grown ashamed of having
taken from a girl the money with which she had been entrusted and that
he was bringing it back to her. If he were man enough to do this ... the
blood ran up higher in her cheeks at the thought ... she could almost
forgive him for that other thing he had done.
So they moved on in the dance, her hand resting lightly in his, his
fingers closing about it with no hint of a pressure to tell her that
again he would take what small advantage he could, his eyes looking
gravely down into the eyes which flashed up at him with her question.
"Didn't you lose anything that night?" he countered. "In the cabin after
I went for the horses?"
"Well?" she countered, the quick hope leaping higher within her.
"You did?"
She wondered why his eyes were so grave, so stern now, why they had
ceased to say flattering things of her and merely hinted of a mind at
work on a puzzle. How could she know that while she was thinking of a
yellow, cloth lined envelope, he was thinking of a horse lamed with a
knife, and hoping to learn from her something of the man who had wounded
the animal?
"Well?" she asked again, hardly above a whisper. Did he dare even talk
of it here, among all these men and women? She glanced about her
anxiously to see if Pollard were in the room. "You are going to give it
back to me?"
Her wonderment was hardly more than Thornton's. Why should she show this
eager excitement, because of a lost spur rowel?
"I rode over to give it to you," he answered, swinging her clear of an
eddy in the swirl of dancers and to the edge of the crowd. "First,
though, I want you to tell me something. A man came into the cabin about
three minutes before you came out to the barn, didn't he?"
She had lowered her eyes, aware that people were noticing them, her
looking up so earnestly, him looking down into her face so gravely. But
now, in spite of her, she looked up at him again.
"Why do you ask that?" she demanded with a flash of anger that he should
continue this useless pretence. "Do you think I am a fool?"
"No. I am asking because I want to know. It's a safe gamble that the man
you had a tussel with is the man who lamed my horse."
"Is it?" she asked with cool sarcasm. "And it's just as safe a gamble
that he is a coward and a ... brute!"
"I don't know about his being a coward, and I don't care about his being
a brute," he told her steadily. "But I do want to know what he looks
like."
Public-domain text, read in full here on John Shaqi.
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