Family life -- Juvenile fiction; Girls -- Juvenile fiction; Sisters -- Juvenile fiction
The evening's amusement began, and progressed pleasurably through the
first act, to which Olive listened attentively, saying with a little
sigh of regret when the curtain fell:
"How lovely it all is! Ernestine always wanted to go on the stage! It
must be delightful if one can?"
"Delightful, possibly; but a life of drudgery until one has worked to
the top, and even then, there are hardships," Roger answered, noting how
a look of sadness chased the gay smile from her lips when she spoke of
the absent sister. Somehow, the place seemed replete with memories of
Ernestine; the music which she had often played, the glitter of wealth
and fashion that she always loved and longed for, the very atmosphere of
gayety and excitement, such as she had always craved to draw breath in,
seemed to recall her now, as Olive, caring so little for it, sat in its
midst, and lost in memory. Roger regretted that any sadness should have
obtruded itself, and was relieved to see, that when the curtain rose on
the second act, that Olive soon became absorbed in the picturesque gypsy
scene and lovely music. The robbery of Florestein was being committed
with the usual success of brilliancy, and the gipsies were taking French
leave, when the figure of a woman enters, drops her cloak, and--Roger
sees no more. He hears a sudden painful gasp at his side, and turns to
see Olive, whiter than her lilies, rising from her seat slowly, as if
faint.
"Olive," he exclaimed, hastily drawing the curtain between them and the
audience, but she put out her hand, and then sank back in her chair, too
weak to stand, for the first time in her life:
"Ernestine!" she said, huskily. "It is Ernestine!"
In incredulous amaze, he looked back at the stage, just as the queen was
leading Florestein off, and he sees a frail-looking figure heaped in
gaudy toggery, that looks as though it would drag her down with its
weight; and, above it, is a pale flower-like face, with great dark,
weary-looking eyes, and a heavy coronet of yellow hair twisted with
tinsel and gauze.
"How can I go to her?" Olive is saying with intense eagerness, and
leaving her seat with a new strength. "Tell me quick, for I must go at
once--tell me, quick."
"It will do no good," said Roger, laying a detaining hand on her arm.
"Listen to me a moment, Olive,"--as she threw it off in wild impatience.
"They would not admit us behind the scenes, and besides, do you not see
how frail and weak she looks? The shock would unfit her for the rest of
the performance and--"
"What do I care for that? She shall leave them at once. I will go to
her. I'll go alone, if you will not go with me," cried Olive with
glowing eyes and trembling lips, and moving towards the door.
Public-domain text, read in full here on John Shaqi.
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