England -- Social life and customs -- 20th century -- Fiction; Families -- England -- Fiction; Women -- England -- Fiction
After dinner two tables for bridge were arranged, with Geoffrey at
one, Helen at the other, and he did not speak to her again until,
after saying good-night to Lavinia, she half-turned to him, bringing
into play the suave clear line of chin and throat.
"I'll take you home if you like," she offered casually. "I've got my
car here."
As Geoffrey thanked her formally he felt that again she had put him
at a disadvantage. He should have had a car to take her home in, but
for her to take him, dropping him like a small boy at his mother's
front door, was humiliating. It irked him to sit idle while she
slipped into the driver's seat and pressed a green slipper ruthlessly
on the starter knob. There was a moment of rending noise, then,
"Better let me turn her over once or twice," Geoffrey suggested.
"The engine's bound to be cold if it's been standing out here all
that long time with no rug on.
"I never do put a rug on," Helen looked at him sidelong. "If you
once begin pampering your car there's no end to it."
Geoffrey burst out laughing. It re-established his superiority to
find that she could be silly, petulant and peevish.
"I simply don't believe you," he said through the agonising noise of
the self-starter. "You forgot I expect, and now you won't admit it."
At that minute the engine suddenly jumped to life, and Helen started
the car with a grinding of gears and a jerk.
There was good ground for criticism but Geoffrey held his peace, and
in a moment he heard her saying: "Do you want to go straight home or
would you like to come to my studio for a bit?"
Surprised, he answered promptly.
"The studio most certainly, please."
"It's a queer untidy sort of hovel. Only a bedroom and a kitchen and
a lovely big studio. I don't live there all the time you see. In
fact my family kick against my living there at all, and I have to go
home at frequent intervals. But when they get too much for me I come
and live in the studio for a few weeks."
"Is the family atmosphere particularly trying then, and is it in
London?"
"No, and yes. It is in London, in Lowndes Square, and it isn't
really trying at all. They're darlings, but I'm very difficult, you
know."
"So I should imagine," said Geoffrey softly, to which Helen only
replied:
"Do you mind not talking? I can't cope with the traffic if I have to
concentrate on you."
As they drove along the Embankment, Geoffrey twisted his body into
the corner of the car, to watch her face as she drove. Even in the
cold yellow light that struck over her as they approached each
lamp-post, and faded so quickly as they passed it, her colouring
disturbed and troubled him.
Public-domain text, read in full here on John Shaqi.
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