England -- Social life and customs -- 20th century -- Fiction; Families -- England -- Fiction; Women -- England -- Fiction
Tearing off her painting overall she went through to her bedroom
where she slipped on a frock of red-brick crêpe-de-chine that stole
the colour from her cheeks and dulled her hair to brown. She caught
sight of herself in the mirror and told herself defiantly that at
times Helen Guest could look very plain, but when she had put on a
dark coat, and a small dark hat, she carefully arranged her hair in
an exact semi-circle on either cheek and brushed a little rouge over
her cheek bones.
The studio seemed unfriendly as she went through; the ashes were cold
in the grate, the sun lit up a layer of soft dust over the furniture,
a curtain had torn away from one of its rings and drooped a little.
Helen decided impatiently that when she had finally broken with
Geoffrey it would probably be better to go home for a time, and shut
up the studio. A few weeks in Lowndes Square would effectively drive
her to work again.
In the meantime, I'll go and see Lavinia, she decided; she's a
soothing little thing, and the sight of her house all so smug and
correct will reinforce me against Geoffrey. It's the sort of house
and life I'd fall into if I were such a fool as to marry him. She
shrugged at her own weakness in needing reinforcements and set out
briskly for Lavinia's house in Catherine Street.
It happened that Mrs. Rodney Greene was having tea with her daughter
when Helen was announced.
Lavinia greeted Helen affectionately, and turned to her mother.
"I don't think you've met Helen, Mother dear," she said. "Unless
perhaps for a moment at the wedding, but that hardly counts."
"No, I don't think I have," answered Mrs. Rodney. "But I know you're
a relation of Martin's, Miss Guest. I've often heard both him and
Lavinia talking of your work. You paint, don't you?"
Her voice was pleasant, but her eye raked Helen from her long legs to
the jaunty little hat that covered her eyebrows and it registered
unmistakable disapproval.
"I've just finished a thing to-day, but I feel I'll never paint
again," said Helen, and though her voice was low there was a violence
behind the words that struck unpleasantly on Mrs. Rodney's ears.
"Oh, but surely you won't give up like that," she began persuasively.
"Of course I can understand artistic discouragement; the finished
work falling so far short of the ideal"--she sketched a vague gesture
in the air--"But still I'm sure you should persevere."
She looked brightly and expectantly at Helen but her glib words of
consolation fell on a grim silence. Helen lay back wearily in her
chair hardly seeming to hear what was said, and it was Lavinia who
answered rather awkwardly: "Helen paints beautifully, Mother. She
did a picture of some ponies a little while ago that you would simply
love."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account