England -- Social life and customs -- 20th century -- Fiction; Families -- England -- Fiction; Women -- England -- Fiction
"So am I. I love him in a way but I can't marry him. I can't face
being stuck down in a little house and having to run it and be
amiable at breakfast and welcome my husband's friends and be polite
to his relations. I simply can't do it."
"Can't you really, Helen? Geoffrey hasn't told me anything about it,
but I know he's been miserable about something for months, and I did
just think once from something he said, that it might be because of
you."
"Well, it's no good anyhow. I'm not going to see him any more after
this evening. I do think anything's better than dragging on like
this."
"You know, Helen, I honestly think you wouldn't find it so very
difficult to be married. You'd be quite rich. You've got some money
of your own, and Geoffrey isn't doing so badly; he went into the
business very young, so you could have decent maids, who would run
the house for you. It makes all the difference if you have enough
money not to have to bother."
"Lavinia, your cynical outlook surprises me. But you see it isn't
only things like that. It's Geoffrey. Loving him would get so
frightfully in the way of my work. I don't believe it's possible to
reconcile everything satisfactorily."
She shut her mouth obstinately and Lavinia sighed.
"I really am sorry," she said. "I think you could be perfectly
happy, you two; and of course I'd love it from my own point of view,
so perhaps I'm prejudiced, but still I do think it's possible."
"It isn't, Lavinia; don't let's talk about it any more. I must go
now; I'm going to shut up the studio for a bit; come and see me at
home. Mother would love you. She thinks my friends are apt to be a
little erratic, and you'd be a welcome change. Goodbye and thanks;
don't come down."
As Helen walked home she was racked with uncertainty. Lavinia had
shaken instead of strengthening her decision. Nothing of this showed
in her manner as she greeted Geoffrey a little later. He looked pale
and ill, and when she said, "Sit down and be a little comfortable,"
he only shook his head, looked at her dumbly, and remained leaning
against the mantelpiece.
"Geoffrey dear," she said. "I've been thinking and worrying about
us, and I've come to the conclusion that we simply mustn't see each
other any more. I'm sorry; I'm sorry for myself, and I'm sorry for
you, but it's no good."
"You can't suddenly decide a thing like that; it isn't fair," said
Geoffrey, but he spoke without conviction.
"I have decided," she answered. "There's no use going over the same
old ground; don't let's discuss it again. I'm going home for a bit,
and I don't know whether I'll come back to this studio or not, so
there's no reason why we should meet ever if we're reasonably careful
to avoid each other. Goodbye, Geoffrey; I'd like you to go now."
She spoke coldly, her plans seemed to be cut and dried, and there was
a finality about her words that rang in Geoffrey's aching head.
"All right," he said. "I'll go now; goodbye."
Public-domain text, read in full here on John Shaqi.
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