STEVE. Them be good words, Annie, and no mistake.
ANNIE. And what you feels about the days gone by don’t count, Steve,
’cause they bain’t true of you. You was always a kind husband, and from
what I’ve hear-ed folks say, she was one as wasn’t never suited to
neither you nor yours.
STEVE. Poor soul, she be dead and gone now, and what I thinks one way or
t’other can’t do she no good. Only ’tis upon me as I could take you
to-morrow more glad-like, Annie, if so be as I had been kinder to she,
the time her was here.
ANNIE. Do you go off to bed, Steve, you’re regular done up, and that’s
what ’tis. I never hear-ed you take on like this afore.
STEVE. All right, my dear, don’t you mind what I’ve been saying. Very
like ’tis a bit unnerved as I be this night. But ’tis a good thought,
bain’t it, Annie, that come to-morrow at this time, there won’t be no
more need for us to part?
ANNIE. [_As he opens the door_.] O, ’tis dark outside!
[_They both leave the cottage_. MAY _throws back her shawl as though
stifled_. _She gets up and first stands bending over_ VASHTI. _Seeing
that she is still sleeping heavily_, _she goes to the door_, _opens it
gently and looks out_. _After a moment she closes it and walks about the
kitchen_, _examining everything with a fierce curiosity_. _She takes up
the shawl_ DORRY _has been wearing_, _looks at it hesitatingly_, _and
then clasps it passionately to her face_. _Hearing steps outside she
flings it down again on the chair and returns to the settle_, _where she
sits huddled in the corner_, _having wrapped herself again in her shawl_,
_only her eyes looking out unquietly from it_. STEVE _re-enters_. _He
bolts the door_, _then goes up to the table in front of the fire to put
out the lamp_.
STEVE. Can I get you an old sack or summat for to cover you up a bit
this cold night?
[MAY _looks at him for a moment and then shakes her head_.
STEVE. All right. You can just bide where you be on the settle. ’Tis
warmer within nor upon the road to-night, and I’ll come and let you out
when ’tis morning.
[MAY _raises both her hands in an attitude of supplication_.
STEVE. [_Pausing_, _with his hand on the burner of the lamp_.] Be there
summat as you wants what I can give to you?
[MAY _looks at him for a moment and then speaks in a harsh whisper_.
MAY. Let I bide quiet in the dark, ’tis all I wants now. [STEVE _puts
out the lamp_.
STEVE. [_As though to himself_, _as he goes towards the door upstairs_.]
Then get off to your drunken sleep again, and your dreams.
[_Curtain_.
ACT II.—Scene 4.
_The fire is almost out_. _A square of moonlight falls on the floor from
the window_. VASHTI _still sleeps in the chimney corner_. MAY _is
rocking herself to and fro on the settle_.
MAY. Get off to your drunken sleep and to your dreams! Your dreams—your
dreams—Ah, where is it as they have gone, I’d like for to know. The
dreams as comed to I when I was laid beneath the hedge. Dreams!
Public-domain text, read in full here on John Shaqi.
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