Six to Sixteen: A Story for GirlsEwing, Juliana Horatia
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Six to Sixteen: A Story for Girls
Ewing, Juliana Horatia
England -- Juvenile fiction; Family life -- Juvenile fiction; Girls -- Juvenile fiction
"It's not _half_ bad, Margery! Wait till you see mine! How did you get
the tints of that hillside? You've a very truthful mind, that's one
thing, and a very true eye as well. I do admire the way you abstain from
filling up with touches that mean nothing."
"Oh, Clement!" cried I, so gratified that I began to feel ready to go on
again. "Do you really think I can make anything of it?"
"Nothing more," said Clement. "Don't put another touch. It's unfinished,
but no finishing would do any good. We've got an outlandish subject and
a bad time of day. But keep it just as it is, and three months hence, on
a cool day, you'll be pleased when you look at it."
"Perhaps if I went on a little with the foreground," I suggested; but
even as I spoke, I put my hand to my head.
"Go to Eleanor in the ravine, at once," said Clement imperatively. "I'll
bring your things. What _did_ make us such fools as to come out without
umbrellas?"
"We came out in the cool of the morning," said I, as I staggered off;
"besides, it's almost impossible to hold one and paint too."
Once in the ravine, I dropped among the long grass and ferns, and the
damp, refreshing coolness of my resting-place was delicious.
Eleanor was not faint, neither had she been crying; but she was not much
happier with her sketch than I had been with mine. The jutting group of
birch-trees was well chosen, and she had drawn them admirably. But when
she came to add the confused background of trees and undergrowth, her
very outline had begun to look less satisfactory. When it came to
colour--and the midday sun was darting and glittering through the
interstices of the trees, without supplying any effects of _chiaroscuro_
to a subject already defective in point and contrast--Eleanor was almost
in despair.
"Where's Jack?" said I, after condoling with her.
"He tried the birches for ten minutes, and then he went up the stream to
look for _algæ_."
At this moment Jack appeared. He came slowly towards us, looking at
something in his hand.
"Lend me your magnifying-glass, Eleanor," said he, when he had reached
us.
Eleanor unfastened it from her chatelaine, and Jack became absorbed in
examining some water-weed in a dock-leaf.
"What is it?" said we.
"It's a new species, I believe. Look, Eleanor!" and he gave her the leaf
and the glass with an almost pathetic anxiety of countenance.
My opinion carried no weight in the matter, but Eleanor was nearly as
good a naturalist as her mother. And she was inclined to agree with
Jack.
"It's too good to be true! But I certainly don't know it. Where did you
find it?"
"No, thank you," said Jack derisively. "I mean to keep the habitat to
myself for the present. For _a very good reason_. Margery, my child, put
that sketch of mine into the pocket of your block. (The paper is much
about the size of your own!) It is going into the 'Household Album.'"
Public-domain text, read in full here on John Shaqi.
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