Six to Sixteen: A Story for GirlsEwing, Juliana Horatia
General
Six to Sixteen: A Story for Girls
Ewing, Juliana Horatia
England -- Juvenile fiction; Family life -- Juvenile fiction; Girls -- Juvenile fiction
We could all chatter of people and places, and what was said on this
occasion or what happened on another. We had one good mimic (Emma), and
two or three of us were smart in description. We were observant of
details and appearances, and we could one and all "natter" over our
small grievances without wearying of the subject, and without ever
speculating on their causes, or devising remedies for them.
But, with Eleanor, facts served more as points to talk from, than as
talk in themselves. Through her influence the Why and How of things
began to steal into our conversation. We had more discussion and less
gossip, and found it better fun.
"One never tells you anything without your beginning to argue about it,"
said one of the girls to her one day.
"I'm very sorry," said poor Eleanor.
"You're very clever, you mean," said Emma. "What a lawyer you'd have
made, Eleanor! While we growl at the Toad's tyranny, you make a case out
of it."
(I regret to have to confess that, owing to a peculiarity of complexion,
Madame was familiarly known to us, behind her back, as the Toad.)
"Well, I don't know," said Eleanor, puckering her brows and nursing her
knees, as we all sat or lounged on the school-room floor, during the
after-dinner recreation minutes, in various awkward but restful
attitudes; "I can growl as well as anybody, but I never feel satisfied
with bewailing over and over again that black's black. One wants to find
out why it's black, and if anything would make it white. Besides, I
think perhaps when one looks into one's grievances, one sees excuses for
people--there are two sides to every question."
"There'll be one, two, three," said Emma, looking slowly round and
counting the party with a comical imitation of Eleanor's thoughtful
air--"there'll be fifteen sides to every question by the time we've all
learnt to talk like you, my dear."
Eleanor burst out laughing, and we most of us joined her to such good
purpose, that Madame overheard us, and thought it prudent to break up
our sitting, though we had only had a short twelve minutes' rest.
Eleanor not only set the fashion of a more reasonable style of chat in
our brief holiday hours, but she was apt to make lessons the subject of
discussions which were at first resented by the other girls.
"I can't think," she began one day (it was a favourite way with her of
opening a discussion)--"I can't think what makes Mr. Henley always make
us put the shadows in in cobalt. Some shadows are light blue certainly,
I think, especially on these white roads, but I don't think they are
always; not in Yorkshire, at any rate. However, as far as that goes, he
paints his things all in the same colours, whatever they're meant for;
the Bay of Naples or the coast of Northumberland. By the bye, I know
that I've heard that the shadows on the snow in Canada are really
blue--bright blue."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account