American fiction -- 20th century; Short stories, American
At the close of the scene the audience raised a tumultuous roar of
appreciation. The portrayal of the type was so exact, so sure and
thorough, that the leading characters in the play were forgotten. After
repeated calls, Hargraves came before the curtain and bowed, his rather
boyish face bright and flushed with the knowledge of success.
At last Miss Lydia turned and looked at the major. His thin nostrils
were working like the gills of a fish. He laid both shaking hands upon
the arms of his chair to rise.
“We will go, Lydia,” he said chokingly. “This is an
abominable—desecration.”
Before he could rise, she pulled him back into his seat. “We will stay
it out,” she declared. “Do you want to advertise the copy by exhibiting
the original coat?” So they remained to the end.
Hargraves’s success must have kept him up late that night, for neither
at the breakfast nor at the dinner table did he appear.
About three in the afternoon he tapped at the door of Major Talbot’s
study. The major opened it, and Hargraves walked in with his hands full
of the morning papers—too full of his triumph to notice anything
unusual in the major’s demeanour.
“I put it all over ’em last night, major,” he began exultantly. “I had
my inning, and, I think, scored. Here’s what the _Post_ says:
His conception and portrayal of the old-time Southern colonel, with his
absurd grandiloquence, his eccentric garb, his quaint idioms and
phrases, his moth-eaten pride of family, and his really kind heart,
fastidious sense of honour, and lovable simplicity, is the best
delineation of a character role on the boards to-day. The coat worn by
Colonel Calhoun is itself nothing less than an evolution of genius. Mr.
Hargraves has captured his public.
“How does that sound, major, for a first nighter?”
“I had the honour”—the major’s voice sounded ominously frigid—“of
witnessing your very remarkable performance, sir, last night.”
Hargraves looked disconcerted.
“You were there? I didn’t know you ever—I didn’t know you cared for the
theatre. Oh, I say, Major Talbot,” he exclaimed frankly, “don’t you be
offended. I admit I did get a lot of pointers from you that helped me
out wonderfully in the part. But it’s a type, you know—not individual.
The way the audience caught on shows that. Half the patrons of that
theatre are Southerners. They recognized it.”
“Mr. Hargraves,” said the major, who had remained standing, “you have
put upon me an unpardonable insult. You have burlesqued my person,
grossly betrayed my confidence, and misused my hospitality. If I
thought you possessed the faintest conception of what is the sign
manual of a gentleman, or what is due one, I would call you out, sir,
old as I am. I will ask you to leave the room, sir.”
The actor appeared to be slightly bewildered, and seemed hardly to take
in the full meaning of the old gentleman’s words.
Public-domain text, read in full here on John Shaqi.
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