American fiction -- 20th century; Short stories, American
So he took me to a mad-house in the Catskills. It was on a bare
mountain frequented only by infrequent frequenters. You could see
nothing but stones and boulders, some patches of snow, and scattered
pine trees. The young physician in charge was most agreeable. He gave
me a stimulant without applying a compress to the arm. It was luncheon
time, and we were invited to partake. There were about twenty inmates
at little tables in the dining room. The young physician in charge came
to our table and said: “It is a custom with our guests not to regard
themselves as patients, but merely as tired ladies and gentlemen taking
a rest. Whatever slight maladies they may have are never alluded to in
conversation.”
My doctor called loudly to a waitress to bring some phosphoglycerate of
lime hash, dog-bread, bromo-seltzer pancakes, and nux vomica tea for my
repast. Then a sound arose like a sudden wind storm among pine trees.
It was produced by every guest in the room whispering loudly,
“Neurasthenia!”—except one man with a nose, whom I distinctly heard
say, “Chronic alcoholism.” I hope to meet him again. The physician in
charge turned and walked away.
An hour or so after luncheon he conducted us to the workshop—say fifty
yards from the house. Thither the guests had been conducted by the
physician in charge’s understudy and sponge-holder—a man with feet and
a blue sweater. He was so tall that I was not sure he had a face; but
the Armour Packing Company would have been delighted with his hands.
“Here,” said the physician in charge, “our guests find relaxation from
past mental worries by devoting themselves to physical
labour—recreation, in reality.”
There were turning-lathes, carpenters’ outfits, clay-modelling tools,
spinning-wheels, weaving-frames, treadmills, bass drums,
enlarged-crayon-portrait apparatuses, blacksmith forges, and
everything, seemingly, that could interest the paying lunatic guests of
a first-rate sanitarium.
“The lady making mud pies in the corner,” whispered the physician in
charge, “is no other than—Lula Lulington, the authoress of the novel
entitled ‘Why Love Loves.’ What she is doing now is simply to rest her
mind after performing that piece of work.”
I had seen the book. “Why doesn’t she do it by writing another one
instead?” I asked.
As you see, I wasn’t as far gone as they thought I was.
“The gentleman pouring water through the funnel,” continued the
physician in charge, “is a Wall Street broker broken down from
overwork.”
I buttoned my coat.
Others he pointed out were architects playing with Noah’s arks,
ministers reading Darwin’s “Theory of Evolution,” lawyers sawing wood,
tired-out society ladies talking Ibsen to the blue-sweatered
sponge-holder, a neurotic millionaire lying asleep on the floor, and a
prominent artist drawing a little red wagon around the room.
Public-domain text, read in full here on John Shaqi.
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