American fiction -- 20th century; Short stories, American
The miller made his way slowly up the winding, steep road. The trees
crowded so close to the edge of it that he walked in their shade, with
his hat in his hand. Squirrels ran playfully upon the old rail fence at
his right. Quails were calling to their young broods in the wheat
stubble. The low sun sent a torrent of pale gold up the ravine that
opened to the west. Early September!—it was within a few days only of
the anniversary of Aglaia’s disappearance.
The old overshot-wheel, half covered with mountain ivy, caught patches
of the warm sunlight filtering through the trees. The cottage across
the road was still standing, but it would doubtless go down before the
next winter’s mountain blasts. It was overrun with morning glory and
wild gourd vines, and the door hung by one hinge.
Father Abram pushed open the mill door, and entered softly. And then he
stood still, wondering. He heard the sound of some one within, weeping
inconsolably. He looked, and saw Miss Chester sitting in a dim pew,
with her head bowed upon an open letter that her hands held.
Father Abram went to her, and laid one of his strong hands firmly upon
hers. She looked up, breathed his name, and tried to speak further.
“Not yet, Miss Rose,” said the miller, kindly. “Don’t try to talk yet.
There’s nothing as good for you as a nice, quiet little cry when you
are feeling blue.”
It seemed that the old miller, who had known so much sorrow himself,
was a magician in driving it away from others. Miss Chester’s sobs grew
easier. Presently she took her little plain-bordered handkerchief and
wiped away a drop or two that had fallen from her eyes upon Father
Abram’s big hand. Then she looked up and smiled through her tears. Miss
Chester could always smile before her tears had dried, just as Father
Abram could smile through his own grief. In that way the two were very
much alike.
The miller asked her no questions; but by and by Miss Chester began to
tell him.
It was the old story that always seems so big and important to the
young, and that brings reminiscent smiles to their elders. Love was the
theme, as may be supposed. There was a young man in Atlanta, full of
all goodness and the graces, who had discovered that Miss Chester also
possessed these qualities above all other people in Atlanta or anywhere
else from Greenland to Patagonia. She showed Father Abram the letter
over which she had been weeping. It was a manly, tender letter, a
little superlative and urgent, after the style of love letters written
by young men full of goodness and the graces. He proposed for Miss
Chester’s hand in marriage at once. Life, he said, since her departure
for a three-weeks’ visit, was not to be endured. He begged for an
immediate answer; and if it were favourable he promised to fly,
ignoring the narrow-gauge railroad, at once to Lakelands.
“And now where does the trouble come in?” asked the miller when he had
read the letter.
“I cannot marry him,” said Miss Chester.
Public-domain text, read in full here on John Shaqi.
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