London (England) -- Social conditions -- Fiction; Physicians -- Fiction; Poor -- Fiction
Then I went closer still and perceived my folly. The girl was not
laughing at all. That which I had supposed to be mirth was really its
opposite. The girl was _crying_—crying silently and effectively, and
without ostentation. When feminine lamentations are conducted with this
sort of restraint there is usually a reason for them.
The stupid man spoke to the girl. "Why don’t you take ’eed to what ’Erb
says?" he demanded. "Why dontchew go ’ome? There’s sense in what ’Erb
says."
And then the young man spoke, saying, "That’s right, ole Emma. Come
along ’ome, ole Emma."
The girl crept closer to the wall, flattened herself against it, as if
she sought protection there. "I—I wown’t gow ’owm," she said, between
the sobs. "I wown’t move from ’ere, I wown’t, till it’s nine o’clock.
The gentleman said, ’Come back at nine o’clock.’ ’Come back at nine
o’clock,’ he said. You ’eard what ’e said, ’Erb. I wown’t move from
’ere, I wown’t."
’Erb went closer to her. They were all so occupied with this discussion
that I am sure my presence was not observed. It was as though I wore
some mantle of invisibility. I could have danced a hornpipe, I believe,
without attracting notice.... "What’s the good of talkin’ like that?"
said ’Erb to the girl. "Come along ’ome, Emma."
"I wown’t move a _step_ from ’ere, I wown’t," responded Emma. "You ’ear
what I say? I wown’t move, I tell you. The gentleman said, ’Come back
at nine o’clock,’ an’ at nine o’clock I’m goin’ back—to see my baby.
"... If you _was_ a man you’d take me over _now_"—she pointed, vaguely,
in the direction of Charing Cross Hospital—"you’d take me back and fight
’em, you would, till they let us in. What they want to turn us out till
mornin’ for?
"I wanter see my baby, I do. My baby’ll die afore it’s morning.
"’Come back at nine,’ the gentleman said; and all its pore arm turned
stiff, an’ white, an’ swollen. What you wanter move that lamp for, you
fool? Why did you open the door? Did you ’ear ’im ’oller? Oh, Christ!
did you ’ear ’im ’oller? We’ll lose ’im, ’Erb: my Gawd! we’ll lose ’im.
Did you ’ear what the gentleman said? ’Come back at nine to-morrow
mornin’,’ ’e said. What’d ’e want to turn us out for, the swine? What
you want to go ’owm for? My baby’s _there_, you ape: over there, with
the nurse an’ the gentleman. Think I’d go ’owm wiv the likes o’ _you_
an’ leave ’im? What you wanter move that lamp for? Did you see it
runnin’ all over ’im, an’ ’im ’ollerin’, an’ cuttin’ ’is feet in the
glass of the chimbly?
"Did you—did you? Go away, I tell you. I wown’t move, I tell you. The
gentleman said, ’Come back at nine.’ What you wanter worry me for?
What you wanter stop for? I want my baby—I—I—you makeshift, you, I
_’ate_ you."
And the young man twisted his cap between his fingers, and drew a little
closer to her, and said, "Come along ’ome."
Public-domain text, read in full here on John Shaqi.
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