[Illustration: Samuel C. Foy] Not merely at the Plaza, but throughout Los Angeles, most of the houses were built of adobe, or mud mixed with straw and dried for months in the sun; and several fine dwellings of this kind were constructed after I came. The composition was of such a nature that, unless protected by roofs and verandas,[8] the mud would slowly wash away. The walls, however, also requiring months in which to dry, were generally three or four feet thick; and to this as well as to the nature of the material may be attributed the fact that the houses in the summer season were cool and comfortable, while in winter they were warm and cheerful. They were usually rectangular in shape, and were invariably provided with _patios_ and corridors. There was no such thing as a basement under a house, and floors were frequently earthen. Conventionality prescribed no limit as to the number of rooms, an adobe frequently having a sitting-room, a dining-room, a kitchen and as many bedrooms as were required; but there were few, if any, "frills" for the mere sake of style. Most adobes were but one story in height, although there were a few two-story houses; and it is my recollection that, in such cases, the second story was reached from the outside. Everything about an adobe was emblematic of hospitality: the doors, heavy and often apparently home-made, were wide, and the windows were deep. In private houses, the doors were locked with a key; but in some of the stores, they were fastened with a bolt fitted into iron receptacles on either side. The windows, swinging on hinges, opened inward and were locked in the center. There were few curtains or blinds; wooden shutters, an inch thick, also fastening in the center, being generally used instead. If there were such conveniences as hearths and fireplaces, I cannot recollect them, although I think that here and there the _brasero_, or pan and hot coals, was still employed. There were no chimneys, and the smoke, as from the kitchen stove, escaped through the regular stacks leading out through a pane in the window or a hole in the wall. The porches, also spoken of as verandas and rather wide, were supported by equidistant perpendicular posts; and when an adobe had two stories, the veranda was also double-storied. Few if any vines grew around these verandas in early days, largely because of the high cost of water. For the same reason, there were almost no gardens.