This later advertisement, with the line in parenthesis, continued to be printed, week after week, without change, _for at least twelve months_. The following year, Keller, in flaring headlines, offered for sale the front of his Los Angeles vineyard, facing on Aliso Street, in building lots of twenty by one hundred feet, saying, in his prospectus: Great improvements are on the _tapis_ in this quarter. Governor Downey and the intrepid Beaudry propose to open a street to let the light of day shine in upon their dark domains. On the Equerry side of Aliso Street, "what fine legs your master has," must run to give way for more permanent fixtures. Further on, the Prior estates are about to be improved by the astute and far-seeing Templito; and Keller sells lots on the sunny side of Aliso Street. The map is on view at my office; come in and make your selections,--first come, first served! Terms will be made handy! M. KELLER. Nathaniel Pryor--sometimes known as Don Miguel N. Pryor or Prior--is the pioneer referred to by Keller. At the age of thirty, it is said, in 1828, he came here, and fifteen or twenty years later, about the time that he was a _Regidor_ or Councilman, was one of eight or ten Easterners who had farms within the pueblo district. His property, in part a vineyard, included what is now Commercial to First streets and possibly from Los Angeles Street to the river; on it was an adobe which is still standing on Jackson Street, and is the only mud-brick structure in that section. For a while, and probably because he had loaned Pryor some money, F. P. F. Temple had an interest in the estate. Pryor was twice married, having a son, Charles, by his first wife, and a son, Nathaniel, Jr., by his second. Pablo Pryor of San Juan was another son. The first Mrs. Pryor died about 1840, and is one of the few--with the mother of Pio Pico--buried inside of the old church at the Plaza. The second Mrs. Pryor, who inherited the property, died about 1857. A granddaughter, Mrs. Lottie Pryor, is a surviving member of this family. During the administration of Padre Blas Raho, a genial, broad-minded Italian, several attempts were made, beginning with 1857 or 1858, to improve the old church at the Plaza; and in 1861, the historic edifice, so long unchanged, was practically rebuilt. The front adobe wall, which had become damaged by rains, was taken down and reconstructed of brick; some alterations were made in the tower; and the interesting old tiled roof was replaced--to the intense regret of later and more appreciative generations--with modern, less durable shingles. A fence was provided, and trees, bushes and plants were set out. The church was also frescoed, inside and out, by Henri Penelon, the French pioneer artist and photographer, who painted upon the wall the following inscription: _Los Fieles de Esta Parroquia á la Reina de los Angeles, 1861._[23]