Sixty Years of California SongAlverson, Margaret Blake
History
Sixty Years of California Song
Alverson, Margaret Blake
Music -- California -- History and criticism
"The first of the series was given in the presence of a large and
fashionable audience. The music was first-class in every respect and
nearly every piece was encored. Gilder's Galop de Concert and
Orlandini's Largo al Factotum most emphatically so. Mrs. Blake
distinguished herself as an accomplished vocalist in Millard's song,
When the Tide Comes In, and in the favorite old Scotch ballad, John
Anderson, My Joe. It was supposed from the low price that these
concerts would be beneath the notice of the high toned dilettanti of
the city, but the performance last evening has completely disabused
not only the nicely-critical, but the public generally of this idea.
The series is to be continued. The second in the course will be given
on Tuesday eve of next week."
[Illustration: Mme. Anna Bishop, beloved instructor of Mrs.
Blake-Alverson and with whom she sang in many concerts.]
The second concert on Tuesday was given with Madam Anna Bishop, Mrs.
M.R. Blake; Cornelius Makin, bass; Prof. von der Mehden, baritone;
Frank Gilder, solo cornetist. With the sixth concert in the Y.M.C.A.
hall we found the hall too small for our audiences, and then went to
Platt's Hall. Not two-thirds of the people could get in. We tried
Pacific Hall, and that did for several times, and then there were
enough people on the outside to fill an ordinary hall. The theaters
were too expensive, so we went on the road. We gave two concerts in
Stockton theater to packed houses; two in Santa Cruz in the pavilion,
with great success; two nights in Vallejo, when every seat was taken,
the gallery packed and faces peeping in at the windows. A laughable
act not on the programme occurred that evening which, I think, Walter
Campbell and myself will never forget. We had a duet in which we
always claimed the house, and this evening when our number came Mr.
Gilder began his quaint Quaker march and Reuben was to come from one
side of the stage and Rachel, on the other, and meet in the center of
the stage like two prim Quakers. I took the steps with Mr. Gilder's
tom tom of quaint chords and I arrived in the front of the stage and
no Walter. I was in dismay and the people began to laugh, especially a
portly individual sitting directly in front of the orchestra. He
thought it was all in the bill; Madam Bishop, in the wings, feared the
performance was ruined. I tried with all my might to keep from
laughing at Mr. Gilder, who was keeping up the incessant march. At
last I turned and saw Walter Campbell standing beside me with a face
like a marble statue, still and pious as the most devout Quaker,
waiting for me to begin, rising and falling on his toes. I began my
song, "Reuben, I have long been thinking, etc." and the song went on,
and between each stanza the applause was deafening and continued until
the last too-ral-loo had died away. We received five recalls. The
paper came out with glowing accounts of the success Walter and I had
won and we were lionized the rest of the season.
Public-domain text, read in full here on John Shaqi.
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