Sixty Years of California SongAlverson, Margaret Blake
History
Sixty Years of California Song
Alverson, Margaret Blake
Music -- California -- History and criticism
12. Violin Concerto. Andante and Finale Mendelssohn
Clifford Schmidt
13. Duet and Chorus. In the Days of Old Lang Syne Neidermeyer
Mrs. Marriner-Campbell and Ben Clark
14. Trio. This Magic Wove Scarf
Mrs. J.M. Pierce, J.E. Tippett, S.W. Leach
15. Madrigal. O by Rivers (words by Shakespeare. Composed
A.D. 1600)
Accompanists, Geo. J. Gee and H.O. Hunt;
conductor, S.W. Leach.
Concert to commence punctually at 8 p.m.
MEMBERS OF THE SOCIETY
_Conductor_--S.W. Leach.
_Sopranos_--Mrs. Marriner-Campbell, Mrs. J.E. Tippett, Mrs.
J.M. Pierce, Mrs. Sarah Little.
_Altos_--Mrs. M.R. Blake, Miss E. Beutler, Miss Ida Beutler,
Mrs. Chisolm.
_Tenors_--J.E. Tippett, Ben Clark, J. Webber.
_Bassos_--Walter C. Campbell, C.W. Dugan, Will B. Edwards.
_Pianist_--Geo. J. Gee.
For years we served the public, winning fresh laurels yearly and
adding to our repertoire of madrigals and songs worthy the aspirations
of any competent and conscientious singers. Every number was a gem of
the music writer's art. Good music never grows old, and songs like
these should claim the student's attention in place of the common
everyday songs that cater to a lower taste or create a laugh. They
lower the standard of the singer. There are many comic songs that will
bring the wholesome laugh and be welcomed by an appreciative audience.
The singer makes the song as she builds her own character. It is the
understanding of the writer's meaning, of the sentiment he has tried
to embody, which shows the intelligent and artistic singer. Happy
indeed is the singer if his success follows the rendering of his
songs. This is the way our reputations are made. Is it not a great
happiness to the singer and the listener that the tones come pure and
limpid from the long-cherished instrument that still answers to the
beautiful strains of the Last Rose of Summer or Safe in the Arms of
Jesus? Can any one conceive the devotion with which a singer nurses
the beautiful gift which is above rubies--a priceless gem--only to be
made more beautiful when it returns to the God who gave it, and made
more beautiful by the knowledge that he has done what is possible with
the talent entrusted to him, and unconsciously made the gift more
suitable to join the Everlasting Choir, Eternal in the Heavens, to
join in the congregation of saints who had found the harmony of the
Lost Chord, and to make the heavens ring with the melody of the last
strain, Only in heaven I shall hear that grand Amen?
Public-domain text, read in full here on John Shaqi.
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