Sixty Years of California SongAlverson, Margaret Blake
History
Sixty Years of California Song
Alverson, Margaret Blake
Music -- California -- History and criticism
Auld, Ossian, _tenor_
Anthony, Frederick, _tenor_
Anthony, Louisa, _soprano_
Blake, Geo. H., _tenor_
Boston, Mrs. Eliza, _dramatic soprano_
Blake, Mrs. M.R., _mezzo-contralto_
Finkeldey, W., _tenor_
Grove, Mr., _bass_
Kittridge, Miss, _soprano_
Miller, Chas. M., _tenor_
Metti, Chas., _tenor_
Pringle, Wm., _bass_
Pioda, Mrs. Mary Emma, _soprano_
Battersby, Mr., _tenor_
Bender, Edward, _bass_
Baily, Miss Lorena, _soprano_
Case, Rollin, _tenor_
Sharp, Samuel, _basso profundo_
Steal, Miss Ella, _contralto_
Wilson, Mr., _bass_
Williams, Miss, _soprano_
INSTRUMENTALISTS.
Bender, Edward, _piano_
Emerson, Prof., _violin_ (leader)
Grove, Mr., _violin_
Hihn, Kate, _piano_
Jones, John M., _violin_ (leader of Santa Cruz Cornet Band)
McCann, Miss Pearl, _piano_
Pioda, Prof. Paul, _flute_
Rotier, Miss, _piano_
Sheppherd, Prof., _piano_
Woodbridge, Miss Abbe, _piano_
Cooper, Miss May, _piano_
Wilson, Prof., _violin_
Waldron, Mr., _piano_
Swanton, Mr. E., _piano_
Kirby, Mr. G., _piano_
Foreman, Mr. J., _piano_
Smith, Miss M., _piano_
DRAMATIC TALENT.
Ames, Rev.
Ames, Mrs.
Binny, I.
Baldwin, Mrs. Fanny
Bittner, Miss A.
Cooper, Miss May
Cooper, Retta
Carpenter, Miss Mattie
Root, Miss May
Metti, Charles
Stanton, Miss Eleanor
Swanton, E.
Root, E.
Blake, Mrs. M.R.
[Illustration:
F.A. Anthony
Charles A. Metti
Belle Peterson
MEMBERS OF THE SANTA CRUZ CHOIR, 1867]
Our programmes were of the highest order, the voices pure and full
without this abominable tremolo which is unknown to a person who knows
how to sing correctly and naturally. Occasionally we had the
assistance of some of the singers and players from San Francisco, who
came for the summer outing, and they thought it great sport to add
their gifts when called upon to help the country girls and boys, but
they did not get far in their fun before they found they would need
all their knowledge and do their best or else let the seaside talent
outstrip them. We were called upon from time to time during my stay
from 1864 to help different denominations in their work. Old folks'
concerts, sacred concerts, fairs and donation parties were the usual
efforts of those early days. There were no other places of amusement.
Sometimes, at rare intervals, there was a show of some kind in Otto's
Hall, a place that would hold 250 people. Whoever they were, they
could not give as much pleasure as our own home talent, consequently
they were not encouraged to repeat the visit. Mr. Blake continued his
business successfully, I supposed, until towards the close of the year
1868. He became despondent and I could see trouble was brewing. He
never brought his business home, so I was ignorant of anything in
regard to its standing. In early years he had much to do with mining
stocks and still held some that he thought would be profitable. The
four years we were in Boston he held much stock and that was one
reason we left, so he could be nearer and in touch with the rise and
fall of the market.
Public-domain text, read in full here on John Shaqi.
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