Sixty Years of California SongAlverson, Margaret Blake
History
Sixty Years of California Song
Alverson, Margaret Blake
Music -- California -- History and criticism
Before I recovered, Mr. Blake had settled as best he could and left me
to go to Reno, where his stocks were, to see if anything could be
saved at all. When he returned after three months' absence I had
taken the upper part of the house at the corner of O'Farrell and
Stockton streets, and with what furniture I still possessed I started
to rent rooms. I had also gotten the choir position as alto in St.
Patrick's church on Market street, on the lot where the Palace Hotel
now stands. While employed there a church was being built on Mission
street, where it now stands. When the basement of the new church was
finished the congregation was moved to Mission street, and we
worshiped in the basement until the main church was finished. I had
one room left to rent where I was on O'Farrell street when one day, to
my surprise on answering the bell, Mr. William Kitts of the opera
troupe called to rent a room. He was a splendid bass singer and I was
greatly surprised to see him, as I had supposed he had left with the
company. He wished to rest for a year. He had never seen America and
would remain until the troupe returned in another year. He was as fine
a man as he was a singer; in fact, all the principals of the troupe
were fine people. They were Madam Lucy Escott, the soprano; Henry
Squires, tenor; Mr. Baker, the lyric tenor, with a most beautiful
voice; and Mr. Kitts, the basso profundo. Before these people went
away I sang many times with them in concert. They gave a sacred
concert in Pacific Hall, on California street, in 1869. We sang the
Trio, te Prago, Escott, Blake, Squires for one number. Madam was so
pleased with my singing she kissed me and gave me her copy of the song
after writing her name on it. Mr. Squires said it was by far the best
combination for the trio that he had ever made. The first time I ever
sang this trio was in 1859 in Tremont Temple with Louisa Adams,
soprano, Edwin Bruce, tenor, and myself, contralto. Miss Adams was a
prima donna of that time. I had always received great praise for my
work in this trio.
Public-domain text, read in full here on John Shaqi.
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