Scotland -- Description and travel; Scotland -- History
At last the bell stops: there follows a tramp, tramp of heavy feet, and
the youth of the parish, who by immemorial custom have been hanging
about outside till the last moment, file solemnly down the aisles to
their seats. The beadle carries in Bible and psalm-book, and, after a
moment’s pause, the minister, in ample black gown and white neck-bands,
reverently enters and ascends the pulpit.
All is perfectly still for a minute while he bows his head; and then in
a low tremulous voice he reads the verses of the rhymed psalm that is
to be sung. The precentor leads off the singing, for there is no organ,
and as he beats time with his tuning-fork, the praise that ascends, if
not perhaps of perfect harmony, is at least sincere. More is felt by
these simple folk than is apparent on the surface. Associations of many
sorts influence them in the place. Pulpit and pew have been occupied
and passed from father to son for generations; memories of the past
and hopes of the future alike gather here, and the place is sacred to
them all. The grey-haired minister, standing where his father once
stood hears rising about him, with the praise of the child lips he
has baptized, the quavering voices of those who were young when he was
young; and his thoughts are of years gone by. The young forester in the
raftered “loft” listens to the singing of a sweet voice in the choir,
and his eyes grow bright with the hope and strength of days to come.
The youthful look forward; the aged look back; and both feelings are an
inspiration of worship.
Public-domain text, read in full here on John Shaqi.
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