Independent of the intrinsic advantages which we thus perceive to result in certain cases from this use of the notation of the integral calculus, there are likewise considerations which make it interesting, from the connections and relations involved in this new application. It has been observed in some of the former Notes, that the processes used in analysis form a logical system of much higher generality than the applications to number merely. Thus, when we read over any algebraical formula, considering it exclusively with reference to the processes of the engine, and putting aside for the moment its abstract signification as to the relations of quantity, the symbols +, x, &c., in reality represent (as their immediate and proximate effect, when the formula is applied to the engine) that a certain prism which is a part [Pg 54] of the mechanism (see Note C.), turns a new face, and thus presents a new card to act on the bundles of levers of the engine; the new card being perforated with holes, which are arranged according to the peculiarities of the operation of addition, or of multiplication, &c. Again, the numbers in the preceding formula (8.), each of them really represents one of these very pieces of card that are hung over the prism. Now in the use made in the formulæ (7.). (8.) and (10.), of the notation of the integral calculus, we have glimpses of a similar new application of the language of the higher mathematics. , in reality, here indicates that when a certain number of cards have acted in succession, the prism over which they revolve must rotate backwards, so as to bring those cards into their former position; and the limits 1 to , 1 to &c., regulate how often this backward rotation is to be repeated. A.A.L. NOTE F.—Page 23. There is in existence a beautiful woven portrait of Jacquard, in the fabrication of which 24,000 cards were required.