Sketches and Studies in Italy and Greece, Second SeriesSymonds, John Addington
History
Sketches and Studies in Italy and Greece, Second Series
Symonds, John Addington
Greece -- Description and travel; Italy -- Description and travel
the fourth day, judging that Gregory was inexorable, and that his suit
would not be granted, Henry retired to the Chapel of S. Nicholas,
which stood within this second precinct. There he called to his aid
the Abbot of Clugny and the Countess, both of whom were his relations,
and who, much as they might sympathise with Gregory, could hardly be
supposed to look with satisfaction on their royal kinsman's outrage.
The Abbot told Henry that nothing in the world could move the Pope;
but Matilda, when in turn he fell before her knees and wept, engaged
to do for him the utmost. She probably knew that the moment for
unbending had arrived, and that her imperious guest could not with
either decency or prudence prolong the outrage offered to the civil
chief of Christendom. It was the 25th of January when the Emperor
elect was brought, half dead with cold and misery, into the Pope's
presence. There he prostrated himself in the dust, crying aloud for
pardon. It is said that Gregory first placed his foot upon Henry's
neck, uttering these words of Scripture: 'Super aspidem et basiliscum
ambulabis, et conculcabis leonem et draconem,' and that then he raised
him from the earth and formally pronounced his pardon. The prelates
and nobles who took part in this scene were compelled to guarantee
with their own oaths the vows of obedience pronounced by Henry; so
that in the very act of reconciliation a new insult was offered to
him. After this Gregory said mass, and permitted Henry to communicate;
and at the close of the day a banquet was served, at which the King
sat down to meat with the Pope and the Countess.
It is probable that, while Henry's penance was performed in the castle
courts beneath the rock, his reception by the Pope, and all that
subsequently happened, took place in the citadel itself. But of this
we have no positive information. Indeed the silence of the chronicles
as to the topography of Canossa is peculiarly unfortunate for lovers
of the picturesque in historic detail, now that there is no
possibility of tracing the outlines of the ancient building. Had the
author of the 'Vita Mathildis' (Muratori, vol. v.) foreseen that his
beloved Canossa would one day be nothing but a mass of native rock, he
would undoubtedly have been more explicit on these points; and much
that is vague about an event only paralleled by our Henry II.'s
penance before Becket's shrine at Canterbury, might now be clear.
Public-domain text, read in full here on John Shaqi.
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