Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
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Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
Five minutes’ walking brings you to the fair; a scene calculated to
awaken very different feelings. The entrance is occupied on either side
by the vendors of gingerbread and toys: the stalls are gaily lighted
up, the most attractive goods profusely disposed, and unbonneted young
ladies, in their zeal for the interest of their employers, seize you by
the coat, and use all the blandishments of ‘Do, dear’—‘There’s a
love’—‘Don’t be cross, now,’ &c., to induce you to purchase half a
pound of the real spice nuts, of which the majority of the regular
fair-goers carry a pound or two as a present supply, tied up in a
cotton pocket-handkerchief. Occasionally you pass a deal table, on
which are exposed pen’orths of pickled salmon (fennel included), in
little white saucers: oysters, with shells as large as cheese-plates,
and divers specimens of a species of snail (_wilks_, we think they are
called), floating in a somewhat bilious-looking green liquid. Cigars,
too, are in great demand; gentlemen must smoke, of course, and here
they are, two a penny, in a regular authentic cigar-box, with a lighted
tallow candle in the centre.
Imagine yourself in an extremely dense crowd, which swings you to and
fro, and in and out, and every way but the right one; add to this the
screams of women, the shouts of boys, the clanging of gongs, the firing
of pistols, the ringing of bells, the bellowings of speaking-trumpets,
the squeaking of penny dittos, the noise of a dozen bands, with three
drums in each, all playing different tunes at the same time, the
hallooing of showmen, and an occasional roar from the wild-beast shows;
and you are in the very centre and heart of the fair.
This immense booth, with the large stage in front, so brightly
illuminated with variegated lamps, and pots of burning fat, is
‘Richardson’s,’ where you have a melodrama (with three murders and a
ghost), a pantomime, a comic song, an overture, and some incidental
music, all done in five-and-twenty minutes.
Public-domain text, read in full here on John Shaqi.
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