Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
‘Now,’ cries the manager, consulting the written list which hangs
behind the first P. S, wing, ‘Scene 1, open country—lamps down—thunder
and lightning—all ready, White?’ [This is addressed to one of the
army.] ‘All ready.’—‘Very well. Scene 2, front chamber. Is the front
chamber down?’—‘Yes.’—‘Very well.’—‘Jones’ [to the other army who is up
in the flies]. ‘Hallo!’—‘Wind up the open country when we ring
up.’—‘I’ll take care.’—‘Scene 3, back perspective with practical
bridge. Bridge ready, White? Got the tressels there?’—‘All right.’
‘Very well. Clear the stage,’ cries the manager, hastily packing every
member of the company into the little space there is between the wings
and the wall, and one wing and another. ‘Places, places. Now then,
Witches—Duncan—Malcolm—bleeding officer—where’s the bleeding
officer?’—‘Here!’ replies the officer, who has been rose-pinking for
the character. ‘Get ready, then; now, White, ring the second
music-bell.’ The actors who are to be discovered, are hastily arranged,
and the actors who are not to be discovered place themselves, in their
anxiety to peep at the house, just where the audience can see them. The
bell rings, and the orchestra, in acknowledgment of the call, play
three distinct chords. The bell rings—the tragedy (!) opens—and our
description closes.
CHAPTER XIV—VAUXHALL-GARDENS BY DAY
There was a time when if a man ventured to wonder how Vauxhall-gardens
would look by day, he was hailed with a shout of derision at the
absurdity of the idea. Vauxhall by daylight! A porter-pot without
porter, the House of Commons without the Speaker, a gas-lamp without
the gas—pooh, nonsense, the thing was not to be thought of. It was
rumoured, too, in those times, that Vauxhall-gardens by day, were the
scene of secret and hidden experiments; that there, carvers were
exercised in the mystic art of cutting a moderate-sized ham into slices
thin enough to pave the whole of the grounds; that beneath the shade of
the tall trees, studious men were constantly engaged in chemical
experiments, with the view of discovering how much water a bowl of
negus could possibly bear; and that in some retired nooks, appropriated
to the study of ornithology, other sage and learned men were, by a
process known only to themselves, incessantly employed in reducing
fowls to a mere combination of skin and bone.
Vague rumours of this kind, together with many others of a similar
nature, cast over Vauxhall-gardens an air of deep mystery; and as there
is a great deal in the mysterious, there is no doubt that to a good
many people, at all events, the pleasure they afforded was not a little
enhanced by this very circumstance.
Public-domain text, read in full here on John Shaqi.
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