Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
ear, and his hands behind him, is standing in front of the fire, like a
full-length portrait of Napoleon; the other with his hat half off his
head, enters the passengers’ names in the books with a coolness which
is inexpressibly provoking; and the villain whistles—actually
whistles—while a man asks him what the fare is outside, all the way to
Holyhead!—in frosty weather, too! They are clearly an isolated race,
evidently possessing no sympathies or feelings in common with the rest
of mankind. Your turn comes at last, and having paid the fare, you
tremblingly inquire—‘What time will it be necessary for me to be here
in the morning?’—‘Six o’clock,’ replies the whistler, carelessly
pitching the sovereign you have just parted with, into a wooden bowl on
the desk. ‘Rather before than arter,’ adds the man with the
semi-roasted unmentionables, with just as much ease and complacency as
if the whole world got out of bed at five. You turn into the street,
ruminating as you bend your steps homewards on the extent to which men
become hardened in cruelty, by custom.
If there be one thing in existence more miserable than another, it most
unquestionably is the being compelled to rise by candlelight. If you
have ever doubted the fact, you are painfully convinced of your error,
on the morning of your departure. You left strict orders, overnight, to
be called at half-past four, and you have done nothing all night but
doze for five minutes at a time, and start up suddenly from a terrific
dream of a large church-clock with the small hand running round, with
astonishing rapidity, to every figure on the dial-plate. At last,
completely exhausted, you fall gradually into a refreshing sleep—your
thoughts grow confused—the stage-coaches, which have been ‘going off’
before your eyes all night, become less and less distinct, until they
go off altogether; one moment you are driving with all the skill and
smartness of an experienced whip—the next you are exhibiting _à la_
Ducrow, on the off-leader; anon you are closely muffled up, inside, and
have just recognised in the person of the guard an old schoolfellow,
whose funeral, even in your dream, you remember to have attended
eighteen years ago. At last you fall into a state of complete oblivion,
from which you are aroused, as if into a new state of existence, by a
singular illusion. You are apprenticed to a trunk-maker; how, or why,
or when, or wherefore, you don’t take the trouble to inquire; but there
you are, pasting the lining in the lid of a portmanteau. Confound that
other apprentice in the back shop, how he is hammering!—rap, rap,
rap—what an industrious fellow he must be! you have heard him at work
for half an hour past, and he has been hammering incessantly the whole
time. Rap, rap, rap, again—he’s talking now—what’s that he said? Five
o’clock! You make a violent exertion, and start up in bed. The vision
is at once dispelled; the trunk-maker’s shop is your own bedroom, and
Public-domain text, read in full here on John Shaqi.
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