Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
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Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
It strikes a quarter past five as you trudge down Waterloo-place on
your way to the Golden Cross, and you discover, for the first time,
that you were called about an hour too early. You have not time to go
back; there is no place open to go into, and you have, therefore, no
resource but to go forward, which you do, feeling remarkably satisfied
with yourself, and everything about you. You arrive at the office, and
look wistfully up the yard for the Birmingham High-flier, which, for
aught you can see, may have flown away altogether, for preparations
appear to be on foot for the departure of any vehicle in the shape of a
coach. You wander into the booking-office, which with the gas-lights
and blazing fire, looks quite comfortable by contrast—that is to say,
if any place _can_ look comfortable at half-past five on a winter’s
morning. There stands the identical book-keeper in the same position as
if he had not moved since you saw him yesterday. As he informs you,
that the coach is up the yard, and will be brought round in about a
quarter of an hour, you leave your bag, and repair to ‘The Tap’—not
with any absurd idea of warming yourself, because you feel such a
result to be utterly hopeless, but for the purpose of procuring some
hot brandy-and-water, which you do,—when the kettle boils! an event
which occurs exactly two minutes and a half before the time fixed for
the starting of the coach.
The first stroke of six, peals from St. Martin’s church steeple, just
as you take the first sip of the boiling liquid. You find yourself at
the booking-office in two seconds, and the tap-waiter finds himself
much comforted by your brandy-and-water, in about the same period. The
coach is out; the horses are in, and the guard and two or three
porters, are stowing the luggage away, and running up the steps of the
booking-office, and down the steps of the booking-office, with
breathless rapidity. The place, which a few minutes ago was so still
and quiet, is now all bustle; the early vendors of the morning papers
have arrived, and you are assailed on all sides with shouts of
‘_Times_, gen’lm’n, _Times_,’ ‘Here’s _Chron—Chron—Chron_,’ ‘_Herald_,
ma’am,’ ‘Highly interesting murder, gen’lm’n,’ ‘Curious case o’ breach
o’ promise, ladies.’ The inside passengers are already in their dens,
and the outsides, with the exception of yourself, are pacing up and
down the pavement to keep themselves warm; they consist of two young
men with very long hair, to which the sleet has communicated the
appearance of crystallised rats’ tails; one thin young woman cold and
peevish, one old gentleman ditto ditto, and something in a cloak and
cap, intended to represent a military officer; every member of the
party, with a large stiff shawl over his chin, looking exactly as if he
were playing a set of Pan’s pipes.
Public-domain text, read in full here on John Shaqi.
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