Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
We have never seen him since, but we have strong reason to suspect that
this noble individual was a distant relative of a waterman of our
acquaintance, who, on one occasion, when we were passing the
coach-stand over which he presides, after standing very quietly to see
a tall man struggle into a cab, ran up very briskly when it was all
over (as his brethren invariably do), and, touching his hat, asked, as
a matter of course, for ‘a copper for the waterman.’ Now, the fare was
by no means a handsome man; and, waxing very indignant at the demand,
he replied—‘Money! What for? Coming up and looking at me, I
suppose!’—‘Vell, sir,’ rejoined the waterman, with a smile of immovable
complacency, ‘_that’s_ worth twopence.’
The identical waterman afterwards attained a very prominent station in
society; and as we know something of his life, and have often thought
of telling what we _do_ know, perhaps we shall never have a better
opportunity than the present.
Mr. William Barker, then, for that was the gentleman’s name, Mr.
William Barker was born—but why need we relate where Mr. William Barker
was born, or when? Why scrutinise the entries in parochial ledgers, or
seek to penetrate the Lucinian mysteries of lying-in hospitals? Mr.
William Barker _was_ born, or he had never been. There is a son—there
was a father. There is an effect—there was a cause. Surely this is
sufficient information for the most Fatima-like curiosity; and, if it
be not, we regret our inability to supply any further evidence on the
point. Can there be a more satisfactory, or more strictly parliamentary
course? Impossible.
We at once avow a similar inability to record at what precise period,
or by what particular process, this gentleman’s patronymic, of William
Barker, became corrupted into ‘Bill Boorker.’ Mr. Barker acquired a
high standing, and no inconsiderable reputation, among the members of
that profession to which he more peculiarly devoted his energies; and
to them he was generally known, either by the familiar appellation of
‘Bill Boorker,’ or the flattering designation of ‘Aggerawatin Bill,’
the latter being a playful and expressive _sobriquet_, illustrative of
Mr. Barker’s great talent in ‘aggerawatin’ and rendering wild such
subjects of her Majesty as are conveyed from place to place, through
the instrumentality of omnibuses. Of the early life of Mr. Barker
little is known, and even that little is involved in considerable doubt
and obscurity. A want of application, a restlessness of purpose, a
thirsting after porter, a love of all that is roving and cadger-like in
nature, shared in common with many other great geniuses, appear to have
been his leading characteristics. The busy hum of a parochial
free-school, and the shady repose of a county gaol, were alike
inefficacious in producing the slightest alteration in Mr. Barker’s
disposition. His feverish attachment to change and variety nothing
could repress; his native daring no punishment could subdue.
Public-domain text, read in full here on John Shaqi.
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