Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
You are curious to know who that young man in the rough great-coat is,
who has accosted every Member who has entered the House since we have
been standing here. He is not a Member; he is only an ‘hereditary
bondsman,’ or, in other words, an Irish correspondent of an Irish
newspaper, who has just procured his forty-second frank from a Member
whom he never saw in his life before. There he goes again—another!
Bless the man, he has his hat and pockets full already.
We will try our fortune at the Strangers’ gallery, though the nature of
the debate encourages very little hope of success. What on earth are
you about? Holding up your order as if it were a talisman at whose
command the wicket would fly open? Nonsense. Just preserve the order
for an autograph, if it be worth keeping at all, and make your
appearance at the door with your thumb and forefinger expressively
inserted in your waistcoat-pocket. This tall stout man in black is the
door-keeper. ‘Any room?’ ‘Not an inch—two or three dozen gentlemen
waiting down-stairs on the chance of somebody’s going out.’ Pull out
your purse—‘Are you _quite_ sure there’s no room?’—‘I’ll go and look,’
replies the door-keeper, with a wistful glance at your purse, ‘but I’m
afraid there’s not.’ He returns, and with real feeling assures you that
it is morally impossible to get near the gallery. It is of no use
waiting. When you are refused admission into the Strangers’ gallery at
the House of Commons, under such circumstances, you may return home
thoroughly satisfied that the place must be remarkably full indeed.
[122]
Retracing our steps through the long passage, descending the stairs,
and crossing Palace-yard, we halt at a small temporary doorway
adjoining the King’s entrance to the House of Lords. The order of the
serjeant-at-arms will admit you into the Reporters’ gallery, from
whence you can obtain a tolerably good view of the House. Take care of
the stairs, they are none of the best; through this little
wicket—there. As soon as your eyes become a little used to the mist of
the place, and the glare of the chandeliers below you, you will see
that some unimportant personage on the Ministerial side of the House
(to your right hand) is speaking, amidst a hum of voices and confusion
which would rival Babel, but for the circumstance of its being all in
one language.
Public-domain text, read in full here on John Shaqi.
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