Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
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Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The first thing that strikes you, on your entrance, is the astonishing
importance of the committee. You observe a door on the first landing,
carefully guarded by two waiters, in and out of which stout gentlemen
with very red faces keep running, with a degree of speed highly
unbecoming the gravity of persons of their years and corpulency. You
pause, quite alarmed at the bustle, and thinking, in your innocence,
that two or three people must have been carried out of the dining-room
in fits, at least. You are immediately undeceived by the
waiter—‘Up-stairs, if you please, sir; this is the committee-room.’
Up-stairs you go, accordingly; wondering, as you mount, what the duties
of the committee can be, and whether they ever do anything beyond
confusing each other, and running over the waiters.
Having deposited your hat and cloak, and received a remarkably small
scrap of pasteboard in exchange (which, as a matter of course, you
lose, before you require it again), you enter the hall, down which
there are three long tables for the less distinguished guests, with a
cross table on a raised platform at the upper end for the reception of
the very particular friends of the indigent orphans. Being fortunate
enough to find a plate without anybody’s card in it, you wisely seat
yourself at once, and have a little leisure to look about you. Waiters,
with wine-baskets in their hands, are placing decanters of sherry down
the tables, at very respectable distances; melancholy-looking
salt-cellars, and decayed vinegar-cruets, which might have belonged to
the parents of the indigent orphans in their time, are scattered at
distant intervals on the cloth; and the knives and forks look as if
they had done duty at every public dinner in London since the accession
of George the First. The musicians are scraping and grating and
screwing tremendously—playing no notes but notes of preparation; and
several gentlemen are gliding along the sides of the tables, looking
into plate after plate with frantic eagerness, the expression of their
countenances growing more and more dismal as they meet with everybody’s
card but their own.
Public-domain text, read in full here on John Shaqi.
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