Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
When we say a ‘shed,’ we do not mean the conservatory sort of building,
which, according to the old song, Love tenanted when he was a young
man, but a wooden house with windows stuffed with rags and paper, and a
small yard at the side, with one dust-cart, two baskets, a few shovels,
and little heaps of cinders, and fragments of china and tiles,
scattered about it. Before this inviting spot we paused; and the longer
we looked, the more we wondered what exciting circumstance it could be,
that induced the foremost members of the crowd to flatten their noses
against the parlour window, in the vain hope of catching a glimpse of
what was going on inside. After staring vacantly about us for some
minutes, we appealed, touching the cause of this assemblage, to a
gentleman in a suit of tarpaulin, who was smoking his pipe on our right
hand; but as the only answer we obtained was a playful inquiry whether
our mother had disposed of her mangle, we determined to await the issue
in silence.
Judge of our virtuous indignation, when the street-door of the shed
opened, and a party emerged therefrom, clad in the costume and
emulating the appearance, of May-day sweeps!
The first person who appeared was ‘my lord,’ habited in a blue coat and
bright buttons, with gilt paper tacked over the seams, yellow
knee-breeches, pink cotton stockings, and shoes; a cocked hat,
ornamented with shreds of various-coloured paper, on his head, a
_bouquet_ the size of a prize cauliflower in his button-hole, a long
Belcher handkerchief in his right hand, and a thin cane in his left. A
murmur of applause ran through the crowd (which was chiefly composed of
his lordship’s personal friends), when this graceful figure made his
appearance, which swelled into a burst of applause as his fair partner
in the dance bounded forth to join him. Her ladyship was attired in
pink crape over bed-furniture, with a low body and short sleeves. The
symmetry of her ankles was partially concealed by a very perceptible
pair of frilled trousers; and the inconvenience which might have
resulted from the circumstance of her white satin shoes being a few
sizes too large, was obviated by their being firmly attached to her
legs with strong tape sandals.
Her head was ornamented with a profusion of artificial flowers; and in
her hand she bore a large brass ladle, wherein to receive what she
figuratively denominated ‘the tin.’ The other characters were a young
gentleman in girl’s clothes and a widow’s cap; two clowns who walked
upon their hands in the mud, to the immeasurable delight of all the
spectators; a man with a drum; another man with a flageolet; a dirty
woman in a large shawl, with a box under her arm for the money,—and
last, though not least, the ‘green,’ animated by no less a personage
than our identical friend in the tarpaulin suit.
Public-domain text, read in full here on John Shaqi.
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