Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The filthy and miserable appearance of this part of London can hardly
be imagined by those (and there are many such) who have not witnessed
it. Wretched houses with broken windows patched with rags and paper:
every room let out to a different family, and in many instances to two
or even three—fruit and ‘sweet-stuff’ manufacturers in the cellars,
barbers and red-herring vendors in the front parlours, cobblers in the
back; a bird-fancier in the first floor, three families on the second,
starvation in the attics, Irishmen in the passage, a ‘musician’ in the
front kitchen, and a charwoman and five hungry children in the back
one—filth everywhere—a gutter before the houses and a drain
behind—clothes drying and slops emptying, from the windows; girls of
fourteen or fifteen, with matted hair, walking about barefoot, and in
white great-coats, almost their only covering; boys of all ages, in
coats of all sizes and no coats at all; men and women, in every variety
of scanty and dirty apparel, lounging, scolding, drinking, smoking,
squabbling, fighting, and swearing.
You turn the corner. What a change! All is light and brilliancy. The
hum of many voices issues from that splendid gin-shop which forms the
commencement of the two streets opposite; and the gay building with the
fantastically ornamented parapet, the illuminated clock, the
plate-glass windows surrounded by stucco rosettes, and its profusion of
gas-lights in richly-gilt burners, is perfectly dazzling when
contrasted with the darkness and dirt we have just left. The interior
is even gayer than the exterior. A bar of French-polished mahogany,
elegantly carved, extends the whole width of the place; and there are
two side-aisles of great casks, painted green and gold, enclosed within
a light brass rail, and bearing such inscriptions, as ‘Old Tom, 549;’
‘Young Tom, 360;’ ‘Samson, 1421’—the figures agreeing, we presume, with
‘gallons,’ understood. Beyond the bar is a lofty and spacious saloon,
full of the same enticing vessels, with a gallery running round it,
equally well furnished. On the counter, in addition to the usual spirit
apparatus, are two or three little baskets of cakes and biscuits, which
are carefully secured at top with wicker-work, to prevent their
contents being unlawfully abstracted. Behind it, are two
showily-dressed damsels with large necklaces, dispensing the spirits
and ‘compounds.’ They are assisted by the ostensible proprietor of the
concern, a stout, coarse fellow in a fur cap, put on very much on one
side to give him a knowing air, and to display his sandy whiskers to
the best advantage.
Public-domain text, read in full here on John Shaqi.
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