Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
stone passage, running parallel with the Old Bailey, and leading to the
different yards, through a number of tortuous and intricate windings,
guarded in their turn by huge gates and gratings, whose appearance is
sufficient to dispel at once the slightest hope of escape that any
new-comer may have entertained; and the very recollection of which, on
eventually traversing the place again, involves one in a maze of
confusion.
It is necessary to explain here, that the buildings in the prison, or
in other words the different wards—form a square, of which the four
sides abut respectively on the Old Bailey, the old College of
Physicians (now forming a part of Newgate-market), the Sessions-house,
and Newgate-street. The intermediate space is divided into several
paved yards, in which the prisoners take such air and exercise as can
be had in such a place. These yards, with the exception of that in
which prisoners under sentence of death are confined (of which we shall
presently give a more detailed description), run parallel with
Newgate-street, and consequently from the Old Bailey, as it were, to
Newgate-market. The women’s side is in the right wing of the prison
nearest the Sessions-house. As we were introduced into this part of the
building first, we will adopt the same order, and introduce our readers
to it also.
Turning to the right, then, down the passage to which we just now
adverted, omitting any mention of intervening gates—for if we noticed
every gate that was unlocked for us to pass through, and locked again
as soon as we had passed, we should require a gate at every comma—we
came to a door composed of thick bars of wood, through which were
discernible, passing to and fro in a narrow yard, some twenty women:
the majority of whom, however, as soon as they were aware of the
presence of strangers, retreated to their wards. One side of this yard
is railed off at a considerable distance, and formed into a kind of
iron cage, about five feet ten inches in height, roofed at the top, and
defended in front by iron bars, from which the friends of the female
prisoners communicate with them. In one corner of this singular-looking
den, was a yellow, haggard, decrepit old woman, in a tattered gown that
had once been black, and the remains of an old straw bonnet, with faded
ribbon of the same hue, in earnest conversation with a young girl—a
prisoner, of course—of about two-and-twenty. It is impossible to
imagine a more poverty-stricken object, or a creature so borne down in
soul and body, by excess of misery and destitution, as the old woman.
The girl was a good-looking, robust female, with a profusion of hair
streaming about in the wind—for she had no bonnet on—and a man’s silk
pocket-handkerchief loosely thrown over a most ample pair of shoulders.
The old woman was talking in that low, stifled tone of voice which
tells so forcibly of mental anguish; and every now and then burst into
an irrepressible sharp, abrupt cry of grief, the most distressing sound
Public-domain text, read in full here on John Shaqi.
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