Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The only communication these men have with their friends, is through
two close iron gratings, with an intermediate space of about a yard in
width between the two, so that nothing can be handed across, nor can
the prisoner have any communication by touch with the person who visits
him. The married men have a separate grating, at which to see their
wives, but its construction is the same.
The prison chapel is situated at the back of the governor’s house: the
latter having no windows looking into the interior of the prison.
Whether the associations connected with the place—the knowledge that
here a portion of the burial service is, on some dreadful occasions,
performed over the quick and not upon the dead—cast over it a still
more gloomy and sombre air than art has imparted to it, we know not,
but its appearance is very striking. There is something in a silent and
deserted place of worship, solemn and impressive at any time; and the
very dissimilarity of this one from any we have been accustomed to,
only enhances the impression. The meanness of its appointments—the bare
and scanty pulpit, with the paltry painted pillars on either side—the
women’s gallery with its great heavy curtain—the men’s with its
unpainted benches and dingy front—the tottering little table at the
altar, with the commandments on the wall above it, scarcely legible
through lack of paint, and dust and damp—so unlike the velvet and
gilding, the marble and wood, of a modern church—are strange and
striking. There is one object, too, which rivets the attention and
fascinates the gaze, and from which we may turn horror-stricken in
vain, for the recollection of it will haunt us, waking and sleeping,
for a long time afterwards. Immediately below the reading-desk, on the
floor of the chapel, and forming the most conspicuous object in its
little area, is _the condemned pew_; a huge black pen, in which the
wretched people, who are singled out for death, are placed on the
Sunday preceding their execution, in sight of all their
fellow-prisoners, from many of whom they may have been separated but a
week before, to hear prayers for their own souls, to join in the
responses of their own burial service, and to listen to an address,
warning their recent companions to take example by their fate, and
urging themselves, while there is yet time—nearly four-and-twenty
hours—to ‘turn, and flee from the wrath to come!’ Imagine what have
been the feelings of the men whom that fearful pew has enclosed, and of
whom, between the gallows and the knife, no mortal remnant may now
remain! Think of the hopeless clinging to life to the last, and the
wild despair, far exceeding in anguish the felon’s death itself, by
which they have heard the certainty of their speedy transmission to
another world, with all their crimes upon their heads, rung into their
ears by the officiating clergyman!
Public-domain text, read in full here on John Shaqi.
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