Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
If we had followed the established precedent in all such instances, we
should have fallen into a fit of musing, without delay. The ancient
appearance of the room—the old panelling of the wall—the chimney
blackened with smoke and age—would have carried us back a hundred years
at least, and we should have gone dreaming on, until the pewter-pot on
the table, or the little beer-chiller on the fire, had started into
life, and addressed to us a long story of days gone by. But, by some
means or other, we were not in a romantic humour; and although we tried
very hard to invest the furniture with vitality, it remained perfectly
unmoved, obstinate, and sullen. Being thus reduced to the unpleasant
necessity of musing about ordinary matters, our thoughts reverted to
the red-faced man, and his oratorical display.
A numerous race are these red-faced men; there is not a parlour, or
club-room, or benefit society, or humble party of any kind, without its
red-faced man. Weak-pated dolts they are, and a great deal of mischief
they do to their cause, however good. So, just to hold a pattern one
up, to know the others by, we took his likeness at once, and put him in
here. And that is the reason why we have written this paper.
CHAPTER VI—THE HOSPITAL PATIENT
In our rambles through the streets of London after evening has set in,
we often pause beneath the windows of some public hospital, and picture
to ourself the gloomy and mournful scenes that are passing within. The
sudden moving of a taper as its feeble ray shoots from window to
window, until its light gradually disappears, as if it were carried
farther back into the room to the bedside of some suffering patient, is
enough to awaken a whole crowd of reflections; the mere glimmering of
the low-burning lamps, which, when all other habitations are wrapped in
darkness and slumber, denote the chamber where so many forms are
writhing with pain, or wasting with disease, is sufficient to check the
most boisterous merriment.
Who can tell the anguish of those weary hours, when the only sound the
sick man hears, is the disjointed wanderings of some feverish slumberer
near him, the low moan of pain, or perhaps the muttered, long-forgotten
prayer of a dying man? Who, but they who have felt it, can imagine the
sense of loneliness and desolation which must be the portion of those
who in the hour of dangerous illness are left to be tended by
strangers; for what hands, be they ever so gentle, can wipe the clammy
brow, or smooth the restless bed, like those of mother, wife, or child?
Public-domain text, read in full here on John Shaqi.
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