Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
but perfectly genteel manner: and the one went back to her ‘place,’ and
the other, to her room on the second-floor front.
There is no saying how long Miss Amelia Martin might have continued
this course of life; how extensive a connection she might have
established among young ladies in service; or what amount her demands
upon their quarterly receipts might have ultimately attained, had not
an unforeseen train of circumstances directed her thoughts to a sphere
of action very different from dressmaking or millinery.
A friend of Miss Martin’s who had long been keeping company with an
ornamental painter and decorator’s journeyman, at last consented (on
being at last asked to do so) to name the day which would make the
aforesaid journeyman a happy husband. It was a Monday that was
appointed for the celebration of the nuptials, and Miss Amelia Martin
was invited, among others, to honour the wedding-dinner with her
presence. It was a charming party; Somers-town the locality, and a
front parlour the apartment. The ornamental painter and decorator’s
journeyman had taken a house—no lodgings nor vulgarity of that kind,
but a house—four beautiful rooms, and a delightful little washhouse at
the end of the passage—which was the most convenient thing in the
world, for the bridesmaids could sit in the front parlour and receive
the company, and then run into the little washhouse and see how the
pudding and boiled pork were getting on in the copper, and then pop
back into the parlour again, as snug and comfortable as possible. And
such a parlour as it was! Beautiful Kidderminster carpet—six bran-new
cane-bottomed stained chairs—three wine-glasses and a tumbler on each
sideboard—farmer’s girl and farmer’s boy on the mantelpiece: girl
tumbling over a stile, and boy spitting himself, on the handle of a
pitchfork—long white dimity curtains in the window—and, in short,
everything on the most genteel scale imaginable.
Public-domain text, read in full here on John Shaqi.
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