Such was the quiet demeanour of the unassuming Smithers, and such were the happy effects of Scotch whiskey and Havannahs on that interesting person! But Mr. Thomas Potter, whose great aim it was to be considered as a ‘knowing card,’ a ‘fast-goer,’ and so forth, conducted himself in a very different manner, and commenced going very fast indeed—rather too fast at last, for the patience of the audience to keep pace with him. On his first entry, he contented himself by earnestly calling upon the gentlemen in the gallery to ‘flare up,’ accompanying the demand with another request, expressive of his wish that they would instantaneously ‘form a union,’ both which requisitions were responded to, in the manner most in vogue on such occasions. ‘Give that dog a bone!’ cried one gentleman in his shirt-sleeves. ‘Where have you been a having half a pint of intermediate beer?’ cried a second. ‘Tailor!’ screamed a third. ‘Barber’s clerk!’ shouted a fourth. ‘Throw him o—ver!’ roared a fifth; while numerous voices concurred in desiring Mr. Thomas Potter to ‘go home to his mother!’ All these taunts Mr. Thomas Potter received with supreme contempt, cocking the low-crowned hat a little more on one side, whenever any reference was made to his personal appearance, and, standing up with his arms a-kimbo, expressing defiance melodramatically. The overture—to which these various sounds had been an _ad libitum_ accompaniment—concluded, the second piece began, and Mr. Thomas Potter, emboldened by impunity, proceeded to behave in a most unprecedented and outrageous manner. First of all, he imitated the shake of the principal female singer; then, groaned at the blue fire; then, affected to be frightened into convulsions of terror at the appearance of the ghost; and, lastly, not only made a running commentary, in an audible voice, upon the dialogue on the stage, but actually awoke Mr. Robert Smithers, who, hearing his companion making a noise, and having a very indistinct notion where he was, or what was required of him, immediately, by way of imitating a good example, set up the most unearthly, unremitting, and appalling howling that ever audience heard. It was too much. ‘Turn them out!’ was the general cry. A noise, as of shuffling of feet, and men being knocked up with violence against wainscoting, was heard: a hurried dialogue of ‘Come out?’—‘I won’t!’—‘You shall!’—‘I shan’t!’—‘Give me your card, Sir?’—‘You’re a scoundrel, Sir!’ and so forth, succeeded. A round of applause betokened the approbation of the audience, and Mr. Robert Smithers and Mr. Thomas Potter found themselves shot with astonishing swiftness into the road, without having had the trouble of once putting foot to ground during the whole progress of their rapid descent.