Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The van drew up at the office-door, and the people thronged round the
steps, just leaving a little alley for the prisoners to pass through.
Our friend the cobbler, and the other stragglers, crossed over, and we
followed their example. The driver, and another man who had been seated
by his side in front of the vehicle, dismounted, and were admitted into
the office. The office-door was closed after them, and the crowd were
on the tiptoe of expectation.
After a few minutes’ delay, the door again opened, and the two first
prisoners appeared. They were a couple of girls, of whom the
elder—could not be more than sixteen, and the younger of whom had
certainly not attained her fourteenth year. That they were sisters, was
evident, from the resemblance which still subsisted between them,
though two additional years of depravity had fixed their brand upon the
elder girl’s features, as legibly as if a red-hot iron had seared them.
They were both gaudily dressed, the younger one especially; and,
although there was a strong similarity between them in both respects,
which was rendered the more obvious by their being handcuffed together,
it is impossible to conceive a greater contrast than the demeanour of
the two presented. The younger girl was weeping bitterly—not for
display, or in the hope of producing effect, but for very shame: her
face was buried in her handkerchief: and her whole manner was but too
expressive of bitter and unavailing sorrow.
‘How long are you for, Emily?’ screamed a red-faced woman in the crowd.
‘Six weeks and labour,’ replied the elder girl with a flaunting laugh;
‘and that’s better than the stone jug anyhow; the mill’s a deal better
than the Sessions, and here’s Bella a-going too for the first time.
Hold up your head, you chicken,’ she continued, boisterously tearing
the other girl’s handkerchief away; ‘Hold up your head, and show ’em
your face. I an’t jealous, but I’m blessed if I an’t game!’—‘That’s
right, old gal,’ exclaimed a man in a paper cap, who, in common with
the greater part of the crowd, had been inexpressibly delighted with
this little incident.—‘Right!’ replied the girl; ‘ah, to be sure;
what’s the odds, eh?’—‘Come! In with you,’ interrupted the driver.
‘Don’t you be in a hurry, coachman,’ replied the girl, ‘and recollect I
want to be set down in Cold Bath Fields—large house with a high
garden-wall in front; you can’t mistake it. Hallo. Bella, where are you
going to—you’ll pull my precious arm off?’ This was addressed to the
younger girl, who, in her anxiety to hide herself in the caravan, had
ascended the steps first, and forgotten the strain upon the handcuff.
‘Come down, and let’s show you the way.’ And after jerking the
miserable girl down with a force which made her stagger on the
pavement, she got into the vehicle, and was followed by her wretched
companion.
Public-domain text, read in full here on John Shaqi.
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