Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
The wish of persons in the humbler classes of life, to ape the manners
and customs of those whom fortune has placed above them, is often the
subject of remark, and not unfrequently of complaint. The inclination
may, and no doubt does, exist to a great extent, among the small
gentility—the would-be aristocrats—of the middle classes. Tradesmen and
clerks, with fashionable novel-reading families, and
circulating-library-subscribing daughters, get up small assemblies in
humble imitation of Almack’s, and promenade the dingy ‘large room’ of
some second-rate hotel with as much complacency as the enviable few who
are privileged to exhibit their magnificence in that exclusive haunt of
fashion and foolery. Aspiring young ladies, who read flaming accounts
of some ‘fancy fair in high life,’ suddenly grow desperately
charitable; visions of admiration and matrimony float before their
eyes; some wonderfully meritorious institution, which, by the strangest
accident in the world, has never been heard of before, is discovered to
be in a languishing condition: Thomson’s great room, or Johnson’s
nursery-ground, is forthwith engaged, and the aforesaid young ladies,
from mere charity, exhibit themselves for three days, from twelve to
four, for the small charge of one shilling per head! With the exception
of these classes of society, however, and a few weak and insignificant
persons, we do not think the attempt at imitation to which we have
alluded, prevails in any great degree. The different character of the
recreations of different classes, has often afforded us amusement; and
we have chosen it for the subject of our present sketch, in the hope
that it may possess some amusement for our readers.
Public-domain text, read in full here on John Shaqi.
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