Sketches by Boz, Illustrative of Every-Day Life and Every-Day PeopleDickens, Charles
General
Sketches by Boz, Illustrative of Every-Day Life and Every-Day People
Dickens, Charles
London (England) -- Social life and customs -- 19th century; London (England) -- Social life and customs -- 19th century -- Fiction
In fine weather the old gentleman is almost constantly in the garden;
and when it is too wet to go into it, he will look out of the window at
it, by the hour together. He has always something to do there, and you
will see him digging, and sweeping, and cutting, and planting, with
manifest delight. In spring-time, there is no end to the sowing of
seeds, and sticking little bits of wood over them, with labels, which
look like epitaphs to their memory; and in the evening, when the sun
has gone down, the perseverance with which he lugs a great watering-pot
about is perfectly astonishing. The only other recreation he has, is
the newspaper, which he peruses every day, from beginning to end,
generally reading the most interesting pieces of intelligence to his
wife, during breakfast. The old lady is very fond of flowers, as the
hyacinth-glasses in the parlour-window, and geranium-pots in the little
front court, testify. She takes great pride in the garden too: and when
one of the four fruit-trees produces rather a larger gooseberry than
usual, it is carefully preserved under a wine-glass on the sideboard,
for the edification of visitors, who are duly informed that Mr.
So-and-so planted the tree which produced it, with his own hands. On a
summer’s evening, when the large watering-pot has been filled and
emptied some fourteen times, and the old couple have quite exhausted
themselves by trotting about, you will see them sitting happily
together in the little summerhouse, enjoying the calm and peace of the
twilight, and watching the shadows as they fall upon the garden, and
gradually growing thicker and more sombre, obscure the tints of their
gayest flowers—no bad emblem of the years that have silently rolled
over their heads, deadening in their course the brightest hues of early
hopes and feelings which have long since faded away. These are their
only recreations, and they require no more. They have within
themselves, the materials of comfort and content; and the only anxiety
of each, is to die before the other.
This is no ideal sketch. There _used_ to be many old people of this
description; their numbers may have diminished, and may decrease still
more. Whether the course female education has taken of late
days—whether the pursuit of giddy frivolities, and empty nothings, has
tended to unfit women for that quiet domestic life, in which they show
far more beautifully than in the most crowded assembly, is a question
we should feel little gratification in discussing: we hope not.
Let us turn now, to another portion of the London population, whose
recreations present about as strong a contrast as can well be
conceived—we mean the Sunday pleasurers; and let us beg our readers to
imagine themselves stationed by our side in some well-known rural
‘Tea-gardens.’
Public-domain text, read in full here on John Shaqi.
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