Sketches in Canada, and rambles among the red menJameson, Mrs. (Anna)
History
Sketches in Canada, and rambles among the red men
Jameson, Mrs. (Anna)
Indians of North America -- Canada; Ontario -- Description and travel
In the afternoon Mr. Johnson informed me that the Indians were preparing
to dance, for my particular amusement. I was, of course, most thankful
and delighted. Almost in the same moment, I heard their yells and
shrieks resounding along the shore, mingled with the measured monotonous
drum. We had taken our place on an elevated platform behind the house--a
kind of little lawn on the hill-side;--the precipitous rocks, clothed
with trees and bushes, rose high like a wall above us: the glorious
sunshine of a cloudless summer's day was over our heads--the dazzling
blue lake and its islands at our feet. Soft and elysian in its beauty
was all around. And when these wild and more than half-naked figures
came up, leaping, whooping, drumming, shrieking, hideously painted, and
flourishing clubs, tomahawks, javelins, it was like a masque of fiends
breaking into paradise! The rabble of Comus might have boasted
themselves comely in comparison, even though no self-deluding potion had
bleared their eyes and intellect. It was a grotesque and horrible
phantasmagoria. Of their style of clothing, I say nothing--for, as it is
wisely said, nothing can come of _nothing:_--only if "all symbols be
clothes," according to a great modern philosopher--my Indian friends
were as little symbolical as you can dare to imagine:--_passons par là_.
If the blankets and leggings were thrown aside, all the resources of the
Indian toilette, all their store of feathers, and bears' claws, hawks'
bells, vermilion, soot, and verdigris, were brought into requisition as
decoration: and no two were alike. One man wore three or four heads of
hair, composed of the manes and tails of animals; another wore a pair of
deers' horns; another was _coiffé_ with the skins and feathers of a
crane or some such bird--its long bill projecting from his forehead;
another had the shell of a small turtle suspended from his back, and
dangling behind; another used the skin of a polecat for the same
purpose. One had painted his right leg with red bars, and his left leg
with green lines: parti-coloured eyes and faces, green noses, and blue
chins, or _vice versâ_, were general. I observed that in this grotesque
deformity, in the care with which every thing like symmetry or harmony
in form or colours was avoided, there was something evidently studied
and artistical. The orchestra was composed of two drums and two rattles,
and a chorus of voices. The song was without melody--a perpetual
repetition of three or four notes, melancholy, harsh, and monotonous. A
flag was stuck in the ground, and round this they began their dance--if
dance it could be called,--the movements consisting of the alternate
raising of one foot, then the other, and swinging the body to and fro.
Every now and then they paused, and sent forth that dreadful, prolonged,
tremulous yell, which re-echoed from the cliffs, and pierced my ears and
thrilled along my nerves. The whole exhibition was of that finished
Public-domain text, read in full here on John Shaqi.
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