Sketches in the House: The Story of a Memorable Session (1893)O'Connor, T. P. (Thomas Power)
History
Sketches in the House: The Story of a Memorable Session (1893)
O'Connor, T. P. (Thomas Power)
Great Britain -- Politics and government -- 1837-1901; Great Britain. Parliament. House of Commons; Home rule -- Ireland
It is one of the many bad turns that Joe's temper does him to always
lead him into overdoing his part. The wild outbursts of his venom--the
ferocity which he puts into his personal attacks--these things have the
effect of producing a certain amount of reaction; and thus his blows
often suffer from the very violence with which they are dealt. A real
master of Parliamentary craft, like Mr. Gladstone or Mr. Sexton, has
learned the lesson--the lesson which all orators of all ages have
learned--that there is nothing so deadly as moderation; that he destroys
the effectiveness of a passion by tearing it to pieces, and that you are
really effective when you have complete control of your temper, your
voice and your language.
[Sidenote: Mitchelstown.]
Mr. Dillon, rising--pale, high-strung, and nervous--was a sympathetic
sight, and the House was ready to listen to him with the greatest
attention. The Old Man was specially interested. Whenever nowadays, when
his hearing has become somewhat defective, he wants particularly to
hear a speech, he has to change his place; usually, as everybody knows,
he sits exactly opposite the box on the Speaker's table. This evening he
went to the last seat on the Treasury Bench--the seat nearest to the
spot from which Mr. Dillon was about to speak, and with his hand to his
ear he prepared himself to catch every word that Mr. Dillon was about to
utter, and the speech of Mr. Dillon was--in spite of the halting tones
which excitement, unpreparedness, the sense of his responsibility
produced--singularly effective. The passionate and transparent sincerity
of the man--the sense of all the years of suffering through which he
passed--the recollection of all the risks he has run in the great
contemporary Irish Revolution--all these things spoke in his favour.
Especially was he effective when he described the circumstances under
which he had delivered the speech, a passage from which had been
incriminated by Mr. Chamberlain. He had been told just half-an-hour
before he rose to speak, of how a poor mother had been torn from her
babe; how the two had been taken over a long journey together, and had
both been finally lodged in the same cell. And he asked with a
passionate thrill in his voice, that carried away the House with him,
whether anybody else under the same circumstances would not have
protested in language of violence and vehemence against the cruelty and
official brutality which allowed such things to be. Would not anybody
have protested that the officials who were guilty of these things had
not to look to reward or promotion from a popular Irish Government.
[Sidenote: The fatal mistake.]
Public-domain text, read in full here on John Shaqi.
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