Sketches in the House: The Story of a Memorable Session (1893)O'Connor, T. P. (Thomas Power)
History
Sketches in the House: The Story of a Memorable Session (1893)
O'Connor, T. P. (Thomas Power)
Great Britain -- Politics and government -- 1837-1901; Great Britain. Parliament. House of Commons; Home rule -- Ireland
always more or less of a worn and shabby look. In the Upper Chamber the
original splendour of the crimson cloth is undimmed; for most of the
benches remain void and unoccupied for 999 nights of the thousand on
which their lordships meet.
[Sidenote: The two chambers--a contrast.]
Whatever the cause I always associate the House of Lords in my mind with
emptiness and silence, and the gloomy scenes of desertion. And,
therefore, when I see it crowded as it was on this historic Monday
evening, the effect it produces is heightened by the recollection and
the sense of the contrast it presents to its ordinary appearance. The
House of Commons has a certain impressiveness and splendour of air when
it is very full; I always have a certain sense of exaltation by the mere
looking at its crowded benches on these nights when the excitement of
the hour brings everybody to his place. But then the House of Commons is
frequently full, and there is no such sense of unusualness when you see
it thus that you have when you look on the House of Lords with benches
teeming with multitudinous life which you have seen so often empty,
lifeless, and ghostly. Thus splendid was the scene, and yet it gave you
a prevailing and unconquerable impression of gloom and lifelessness. In
the House of Commons, the member addressing the assembly is like the
wind which passes through an Æolian harp. You cannot utter a word which
does not produce its full and immediate response. You say a thing which
has the remotest approach to an absurdity in it, and the whole House
laughs consumedly and immediately. You utter a phrase which excites
party feeling, and at once--quick as lightning falls--comes back the
retort of anger or approval; your way is studded and punctuated with
some response or other, that signifies the readiness and the depth and
amplitude of emotion in one of the most emotional, and noisy, and
responsive assemblies in the world. It is a curious change from all this
to look on all these crowded benches sitting in a silence that is
unbroken more than once in the course of half an hour.
[Sidenote: Spencer's serene courage.]
Public-domain text, read in full here on John Shaqi.
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