Sketches in the House: The Story of a Memorable Session (1893)O'Connor, T. P. (Thomas Power)
History
Sketches in the House: The Story of a Memorable Session (1893)
O'Connor, T. P. (Thomas Power)
Great Britain -- Politics and government -- 1837-1901; Great Britain. Parliament. House of Commons; Home rule -- Ireland
good-humour--its unrelieved coarseness--brings out into higher contrast
and bolder relief the waxen pallor, the beautifully chiselled features,
the dominant benignity and refinement of the face of Mr. Gladstone. And,
then, think that the one man is fighting to maintain, and the other to
put an end, and for ever, to the hateful, bloody, and, it might almost
be said, bestial struggle of centuries; and you can understand the
feeling of overwhelming loathing which sometimes rises in the breasts of
those who see the two men pitted against each other.
[Sidenote: For Jimmy was leader.]
For this was what it had come to in the House of Commons. It was Jimmy
Lowther against Mr. Gladstone. Mr. Balfour occasionally dropped in a
perfunctory word; now and then even tried to raise the standard of
revolt against Mr. Lowther; and, of course, had finally to accept the
consequences of Mr. Lowther's acts. Joe was there too; much more active
in sympathy with Jimmy than Mr. Balfour. With all his faults, there is
a certain saving refinement in Mr. Balfour--it is not a refinement that
has restrained him from being cruel with the hysteric violence of the
effeminate, but it is a refinement that preserves him from the mere
Newmarket horseplay of Jimmy Lowther, and the thin rancour of a
Brummagem drummer. Joe, I say, was there, ready to back up Jimmy in his
worst exploits, but, after all, Jimmy was the leader. In this mighty
struggle--not merely for the reconciliation of England and Ireland, but
for the existence of Parliamentary institutions--the stakes are no
smaller--the gentlemen of England were represented by Mr. Lowther, and
the rude democracy by Mr. Gladstone. Democrats need not feel much
ashamed of the contrast.
[Sidenote: The apotheosis of Jimmy.]
Public-domain text, read in full here on John Shaqi.
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