Sketches in the House: The Story of a Memorable Session (1893)O'Connor, T. P. (Thomas Power)
History
Sketches in the House: The Story of a Memorable Session (1893)
O'Connor, T. P. (Thomas Power)
Great Britain -- Politics and government -- 1837-1901; Great Britain. Parliament. House of Commons; Home rule -- Ireland
A foredoomed sheep could not have been brought more unwillingly to the
slaughter than was Mr. Balfour to the debate on the Vote of Censure. He
had nothing new to say, and unfortunately he felt that as keenly as
anybody else. Every single topic with which he had to deal had been
discussed already, until people were positively sick of them--in short,
poor Mr. Balfour was in the position of having to serve up to the House
a dish that had been boiled and grilled and stewed, and yet stewed
again, until the gorge rose at it in revolt and disgust. The late Chief
Secretary has the susceptibility of all nervous temperaments. The men
are indeed few who have equal power with all kinds of audiences--with an
audience that is friendly and that is hostile. Still more rare is it to
find a man who can face an audience even worse than a downright hostile
one, and that is an audience which is indifferent, There are very few
men I have known in my Parliamentary experience who could do it.
[Sidenote: A memory of Parnell.]
Mr. Parnell was one. I have seen him speak quite comfortably to an
audience which consisted of himself, Mr. Biggar, the Minister in
attendance, and the Speaker of the House--in all, four, including
himself. Indeed, he often said to me that he rather liked to have such
an audience. Speaking was not easy or agreeable to him, and his sole
purpose for many years in speaking at all was to consume so much time.
Parnell was a man who always found it rather hard to concentrate his
mind on any subject unless he was alone and in silence. This was perhaps
one of the many reasons why he kept out of the House of Commons as much
as he could. Anything like noise or disturbance around him seemed to
destroy his power of thinking. For instance, when he was being
cross-examined by Sir Richard Webster in the course of the Forgeries
Commission, his friends trembled one day because, looking at his face,
with its puzzled, far-away look, they knew that he was in one of those
moods of abstraction, during which he was scarcely accountable for what
he said. And sure enough he made on that day the appalling statement
that he had used certain language for the purpose of deceiving the House
of Commons. He said to me that he liked to speak in an empty House
because then he had time to collect his thoughts. Joe Biggar, his
associate, was also able to speak in any circumstances with exactly the
same ease of spirit. To him, speaking was but a means to an end, and
whether people listened to him or not--stopped to hang on his words or
fled before his grating voice and Ulster accent--it was all one to him.
Two other men have the power of speaking always with the same interest
and self-possession. These are Sir Charles Dilke and Mr. O'Connor Power.
[Sidenote: The Sensitiveness of Mr. Balfour.]
Public-domain text, read in full here on John Shaqi.
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