Sketches in the House: The Story of a Memorable Session (1893)O'Connor, T. P. (Thomas Power)
History
Sketches in the House: The Story of a Memorable Session (1893)
O'Connor, T. P. (Thomas Power)
Great Britain -- Politics and government -- 1837-1901; Great Britain. Parliament. House of Commons; Home rule -- Ireland
The keen, playful, and penetrating wit of Mr. Birrell did not do
anything for Mr. Dunbar Barton. Mr. Barton is--as he properly
boasted--the descendant of some of that good Protestant stock that, in
the days of the fight over the destruction of the Irish Parliament,
stood by the liberties of Ireland. He is a nephew of Mr. Plunket--he
inherits the talent which is traditional in the Plunket family, and is
said not to be without some of the national spirit that still hides
itself in odd nooks and corners of estranged Irish minds. But he has
none of the saving grace of his country or family. A solemn voice that
seems to come from the depths of some divine despair, and from the
recesses of his innermost organs, together with a certain funereal
aspect in the close-shaven face, gives him an air that suggests the
cypress and the cemetery. But with deadly want of humour, he spoke of
the possibility of his spending the remainder of a blameless life in
penal servitude, and was deeply wounded when the uproarious and
irreverent House refused to take the possibility seriously.
[Sidenote: Mr. Stansfeld.]
The following Friday was made memorable by a fine speech from Mr.
Stansfeld. Full of activity, with undimmed eye, with every mental
faculty keen and alert, with every lofty and generous aspiration as
fresh as in the days of hot and perilous youth, Mr. Stansfeld yet
appears something of a survival in the House of Commons. His appearance,
his style of speech, even the framework of his thought, seem to belong
to another--in some respects a finer and more passionate period than our
own. The long hair combed straight back--the strong aquiline nose--the
heavy-lined and sensitive mouth--the subdued tenderness and wrath of the
eyes--even the somewhat antique cut of the clothes--suggest the days
when the storm and stress of the youthful century were still in men's
souls, and were driving them to conspiracy, to prison, to scaffold, to
barricades, to bloody fields. There is also a deliberation in the
delivery--a sonorousness in the phraseology--that has something of a
bygone day. But all this adds to the impressiveness of the address. The
fervour is all there, the unalterable conviction, the lofty purpose.
There is reason for the warm note of welcome which comes from the Irish
benches; for this man--perhaps disappointed--perchance not too well
used--stands up to defend his principles with the same utter
forgetfulness of self which belongs only to the finest and the truest
natures.
[Sidenote: Commercial culture.]
Public-domain text, read in full here on John Shaqi.
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